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June 2007: Spending the Night (and the Day) with the Emo Boy

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This is the continuation of the story of my visit to Yuri and Michael in London in 2007.  You remember that I hooked up with a South Asian emo boy named Nehal at an Indie bar.

Saturday night
Turns out that... 

Sorry, it's too risque to even give you a sample. Better read it on Tales of West Hollywood.  

Michael J. Pollard, Lost Boy

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When I was a kid in the 1960s, I thought Michael J. Pollard was the cutest guy around.  He was short, husky, and blond (I thought), with an impish smile. And he always played lost boys.

I first saw him in "The Magic Mirror" (1966), an episode of Lost in Space, playing a boy trapped in the mysterious world on the other side of a mirror.

And then in "Miri," an episode of Star Trek (1966), as the leader of a group of kids trapped in a perpetual childhood.

And then in "The Scene," an episode of The Danny Thomas Hour about a girl lost in the psychedelic world of the hippies.  He played her hippie friend.



He befriended girls, but never displayed any romantic interest in them.  Maybe he liked boys!

Years later, I saw some of his more serious roles, where Michael used his boyish quirks to play man-childs, sometimes affecting, sometimes dangerous and deranged.

In Bonnie and Clyde (1967), Michael played C. W. Moss, who befriends the criminal duo (Warren Beatty, Faye Dunaway) and has a rather obvious crush on Clyde.

In Little Fauss and Big Halsey (1970), he is the inept, childish motorcycle racer Little Fauss who can barely contain his crush on the superstar Big Halsey (Robert Redford).

Dirty Little Billy (1972) is an unromantic portrayal of Billy the Kid (Michael) as a leering psycho.





Off camera, he was a leather-jacket rebel. Once when he was in Morocco with Jim Capaldi, he helped write the lyrics for "Low Spark of High-Heeled Boys," a gay-themed song recorded by Traffic (1971).

If I gave you everything that I owned and asked for nothing in return
Would you do the same for me as I would for you?
Or take me for a ride, and strip me of everything including my pride
But spirit is something that no one destroys
And the sound that I'm hearing is only the sound
The low spark of high-heeled boys

I don't know if he is gay or bisexual in real life, though he was married to actress Beth Howland (of Alice) from 1961 to 1969.

Actor Michael Andrew Fox changed to Michael J. Fox as a homage to Michael J. Pollard.

I haven't seen much of Michael's more recent work, though I understand that he's still playing mostly hippies, psychos, and man-childs, and in a humorous turn, the mischievous transdimensional Mr. Mxyzptik on Superboy.








Here he is recently.  An elderly, white-haired gentleman with an impish grin and a black leather jacket. I'd date him.

But I'll always remember the Lost Boy of my childhood.

See also: Lost in Space

10 Guys Who Got Away

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 I am rarely rejected for  dates or hookups; so rarely, in fact, that when it happens, I'm shocked.  I want to ask "Didn't you understand me?"

But rejections are useful.  You can analyze them, identify your mistakes, and modify your technique for next time.

Here are 10 guys who got away:

1. The Cellist, a quiet, conservative music major named Charlie, one of Joseph's friends from the Gay Student Association at Indiana University.   I don't know why he hung out in Bullwinkle's, a cruise bar.  When I approached with a sleazy double-entendre, he said point blank: "You're not my type, so nothing is going to happen."

But he continued to hang out with us, so I continued to flirt with him.

I asked, with a leer. "What would you do if I groped you right now?" Buzzkill answered, "I would feel violated."

 I tried to give him my phone number anyway, but he said: "You're not my type, so it would be pointless."

Problem: Trying too hard.



2. Richie Rich.  Not his real name, obviously, but the son of a state senator who drove a Jaguar around campus and had a summer house on Cape Cod.  I wasn't even attracted to him, but I liked the idea of sitting in that Jaguar next to him, and being invited to the summer house.  So I asked him out.  Not a chance!

Problem: Not really interested.

3. The Professor.  When I was living in Hell-fer-Sartain, Texas, the worst place in the world.

We hooked up. He was short, solid, gifted beneath the belt, -- exactly my type!  And a professor of English at the University of Houston, specializing in the Renaissance -- exactly my field of interest!  I may have gone overboard with the "we have everything in common!" and "we were meant to be together!"

After breakfast the next morning, he gave me the wrong phone number.

Problem: Trying too hard.




4. The Widower.  He was a husky blond bear, about 40 years old, a member of the West Hollywood Metropolitan Community Church.  He had lost his lover of 10 years to AIDS a few months before we met.  I asked him out about a year later, shortly after the breakup with my celebrity boyfriend.  He agreed, but the night before our date, he called with an excuse.  I think Alan told him that my preferred sexual positions weren't compatible with his.

A week later, I asked him to a dinner party at Alan's house; he agreed, but insisted on coming in his own car.  He sat next to someone else, and started to leave without any alone time.  "But..I wanted to..." I began.

"I know what you wanted!" he exclaimed, slamming the door behind him.

Problem: Gossip.

5. The Puppy Dog, a cute, cuddly guy that Lee and I decided to share.  Unfortunately, we didn't inform him of our plan in advance.  We just invited him over for dinner, and afterwards sat on the couch on either side of him and started grabbing.

Deer-caught-in-the-headlights staring didn't dissuade us -- we just assumed that he was up for the sharing -- until he bolted to his feet and ran for the door.

Problem: Not making our intentions clear in advance.



6. The Filipino Undergrad,#3 on My Sausage List.  He came to my room at Stony Brook University to interview me on the problems of being a gay academic, and we ended up hooking up four or five times.  Then I emailed him: "I want to be more than just a trick!  Let's go out on a real date, with dinner and dancing and a kiss on the doorstep!" He bailed.

Problem: Trying too hard.

7. The Hottest Guy in the World. We met at the AIDS Conference in South Africa in the summer of 20000. Short, muscular, dark-skinned, religious, gifted beneath the belt, 6 of the 6 traits I find attractive!  We went out to the bars together, and had an encounter in the dark room, but afterwards he would have nothing to do with me.  Too old.

Problem: No time to work on him.




8. The Theater Buff, one of Blake's friends in Manhattan, an older guy with a nice physique, a hairy chest, and a bad toupee.  Fascinating, with an intimate knowledge of old Hollywood.  He used to go to the Trocadero with Bette Davis!  So I accepted the date.  Afterwards we went back to his elegantly furnished apartment and started making out, but every time I tried to touch his head, he pushed my hand away.

"Everybody knows about your toupee!" I exclaimed in frustration.  "It's no big secret!"

 Shrieking, he ran into the bedroom, slammed the door, and wouldn't come out.

Problem:  Unaware of his quirks




9. The Jerk.  This was in a dark room in France.  The protocol is: since you can't see well enough to make eye contact, you stand directly in front of whoever you're interested in.  If he's not interested, he moves away.  This guy didn't move away.  But when I touched him, he grabbed my hand and roughly pushed it aside.

I tried again, and got pushed away again.

"But...vous ne avez pas deplacer!" I exclaimed.  You didn't move!

He growled: "Casse-toi!" F*k off! 

"I have every right to be here!" I said in English.

We both stood there facing each other, refusing to move for a long time.

Problem: Guy wasn't interested


10. The Coffee Drinker.  A cute, sleepy-looking lost soul who hung out at the Filling Station in Wilton Manors, Florida, drinking coffee instead of beer or a soft drink.  He never interacted with anyone, but he was so cute, I thought I would try.

Day 1: I nodded in recognition.  He glared.
Day 2: I gave him a friendly shoulder-grab.  He shrugged me off.
Day 3: I said "Hi, my name's Jeff." He said: "I'm not interested in a relationship."
Day 4: He saw me coming and retreated to the other side of the bar.

Problem: ????

Pop Quiz: Select any three, and explain what I should have done differently.

See also: 10 Easy Steps to Getting Any Guy.

He'll Eat Most Anything: Gay Symbolism in Hot Dog Ads of the 1960s

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When I was a kid in the 1960s, we couldn't ignore the resemblance between the hot dog and the penis.  We used the word "wiener" for both. Consumption of the hot dog became a metaphor for sex, with the implication that whoever liked eating hot dogs also liked sex with men.

At summer camp the boys all made fun of anyone foolish enough to sing:

I love the Wiener Man, he owns the Wiener Stand
He'll eat most everything from hot dogs on down
Someday I'll join his life, I'll be his wiener wife.
Hot Dog! I love the Wiener Man!

Especially boys who aspired to become a "wiener wife."

A series of 1960s commercials involved hot-dog fans bullying a holdout into singing this song, providing us with more hilarity:

Oh, I'd love to be an Oscar Mayer Wiener, that is what I truly want to be
Cause if i were an Oscar Mayer Wiener, everyone would be in love with me.

Bragging that the hot dogs were "all beef" helped clarify what was meant.

The Oscar Mayer Wienermobile, a 27-foot long car shaped like a hot dog, was especially phallic.  A fleet of them toured the country.  One appeared in Rock Island at the Pow Wow every year (where I saw the Naked Indian God), sometimes at the Celtic Festival, and once at Denkmann Elementary School.

The driver, Little Oscar, distributed hot dogs, hot dog-shaped whistles, or toy wienermobiles.




I liked the toy wienermobile the best.  Even more phallic, if that's possible. Imagine that the base is an unzipped pair of brown pants.












There are currently 8 Wienermobiles on tour.  The 12 drivers (8 women, 4 men) are selected from college students for year-long gigs.

They all have whimsical names, but I'd like to know more about Sizzlin' Steve (aka Mike Tierney) of the University of Missouri, a journalism major, and Stevie Bunder (aka Steve Johnson, left) of St. John's University in Minnesota, where he majored in environmental science and was on the lacrosse team.

See also Gay Symbolism in Hamburger Ads; and "Have You Had a Squirt Today?"

I Go Home with the Amazing Invisible Boy

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One Sunday afternoon, Kevin the Vampire and I were at the beer bust at the San Francisco Eagle, when a twink caught my eye .  He was wearing a white t-shirt with a weird dark stain at the belly, jeans torn at the knee, and a light brown jacket -- quite out of place amid the leather-clad bears and muscle daddies in their 40s and 50s.

He was in his 20s, tall, slim, blond, very pale.  Not my usual type, but he had a handsome, almost angelic face, and he looked...lost.  Everyone was giving him major attitude.

"Poor guy wandered into the wrong bar," I told Kevin.

He looked around.  "Who do you mean?"

I pointed. "The cute twink in the brown jacket?"

He peered into the crowd.  "Sorry, I can't pick him out of the crowd.  But cruise him, if you like.  I'll be more than willing to share anyone you find attractive."

Too late -- a drunken muscle bear with thick bear-hair on his chest and shoulders had already approached.  He had skipped the conversation stage of cruising, moving immediately into groping.  The twink looked uncomfortable, even frightened.  Didn't he know how to give Attitude?

That was my "in" -- coming to the rescue.  I grabbed a bottle of beer from the bartender, walked over, and said "Here's your beer, babe.  Sorry it took so long."

"Didn't know you spoken for," the muscle bear growled.  He dislodged his hand from the boy's crotch and loped off.

"Thanks for saving me.  I'm Mickey." (Not the leatherman who never left South of Market -- another Mickey.)

"Jeff." I tried to hug him, but he stiffened -- not interested?  Instead, he held out a slim hand to be shaken.

Yes, his hand was warm to the touch.

"I don't go to gay bars much, and I don't know the rules yet.  I thought if I just stood quietly, I'd be invisible."

"That's funny, it worked on my friend over there.  I tried to point you as 'the cute guy in the brown jacket,' but he couldn't see you.  Would you mind coming over so I can introduce you?"

I led him to where Kevin was standing.  "Introducing Mickey, the Amazing Invisible Boy!"

Kevin stared, visibly frightened.  "Um...very nice to meet you.  Jeff, could I borrow you for a moment to discuss that project?"

He pulled me out of earshot.  "You're out of your league with this one, Jeff.  Better leave him alone."

"Why?  Is he a hustler?  A druggie?"

"No, but...it's difficult to explain.  He's dangerous."

"He looks harmless to me.  A little lonely, and kind of starved for affection.  Why don't we invite him home?"

"No sharing tonight, sorry -- um, I'm not feeling well.  And I'd advise you to pick someone else.  I have to be running along now."

You never abandon someone in the midst of cruising -- it's just not done.  But Kevin did.

It would pay to be prudent, of course, and not invite Mickey home instantly, so I took him to a Thai place on Folsom.

Yes, he ate.

 And asked him the usual precautionary questions.  Mickey was eager to talk.

He lived with his parents and younger brother in a small white house on Custer Road in Hayward, in the East Bay.  He graduated from Tennyson High School.  He had a job in a department store, and he was taking classes at the junior college in the hope of becoming a bookkeeper.

I asked about the stain on his shirt.  He said it was probably spaghetti sauce, but he didn't remember where he got it.

It was starting to get dark.  "I have to get to the station soon," Mickey said, looking apprehensively out the window.  "The last train to Hayward leaves at 7:00 pm."

"Oh...I was hoping we could spend more time together.  Why don't you come back to my place and spend the night?  I'll spring for breakfast in the morning, and then put you on the BART."

He looked hesitant.  "You're sure it won't be any trouble?  I snore."

Back at my apartment, he took off his jacket and draped it on a kitchen chair.  We watched Nick Freno, The Simpsons, King of the Hill, The X-Files, some old sitcoms on Nick at Night, ate ice cream, and talked, talked, cuddled, kissed, and talked.

Mickey asn't out to anyone, and hadn't had sex with anyone but a high school friend.  He turned 21 a few days ago.  On a whim he took  BART across the Bay, got off at the 16th Street Station, and looked for the nearest gay bar.  That turned out to be the Eagle.

Finally it was midnight, past my bedtime.  "I have to get up early," I said, "So we should go to bed.  We don't have to do anything, if you don't want.  We can just cuddle."

Mickey kissed me on the cheek.  "You're the first guy I met with who didn't try to push me into the bedroom right away,  But I think I'd like to go home now, if that's ok with you." He stood and walked around the couch toward the door.

"BART's closed.  You'll have to spend the night..." I began.  But he was gone!

He didn't have time to get to the door, and besides, it was still locked.  I opened it and looked out onto the balcony and the street below.  They were deserted.

I ran back and checked the bedroom and bathroom.  No.  Mickey had just vanished.

In retrospect, there were some weird things about him.
1. His invisibility.
2. Kevin's warning.
3. There aren't any junior colleges anymore.  They're community colleges.
4. Who in the computer age studies to be a bookkeeper?
5. He didn't know how to use a VCR.
6. He had never seen The Simpsons.
7. That weird stain, like a blood stain.
8. This was his first time in a gay bar, but he had taken several guys home before.

Had I been making out with a ghost?  Maybe a boy who came to the City for his 21st birthday, was killed in a hate crime, and ever after has been trying to find his way home.

What would have happened if I insisted on bedroom activities?

The next day I called Kevin.  He said, "I was just jealous that you were so into that Cute Young Thing.  I'm sorry that my attempt to scare you away made you hallucinate."

By the way, I couldn't do a "Vanishing Hitchhiker" thing: Mickey took his jacket with him.


See also: The Leatherman Who Never Left South of Market

Chuck & Buck: The Most Homophobic Movie since Cruising

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Some movies you go into expecting homophobia -- any comedy about young adult slackers, anything directed by Ron Howard, anything starring Will Smith. But sometimes the director or actors are gay, or the reviews suggest that the movie is gay-positive, and the homophobia hits you out of nowhere, like a slap in the face.

I heard that The Phone Call (1989), with Michael Sarrazin, was the most homophobic movie of all time, but it has to be Chuck & Buck (2000), just because the homophobia is so unexpected.

Mike White is the son of gay Christian advocate Mel White, author of Stranger at the Gate: To Be Gay and Christian in America.  One would not expect him to be homophobic.

Chuck & Buck was actually advertised in gay publications!  Sort of like advertising Birth of a Nation in Ebony.

The premise: Chuck (Chris Weitz) and Buck (Mike White) were gay boyfriends when they were kids.

Years have passed, and Chuck has grown up: he has a a house, a job, and a fiancee. And of course, he's now heterosexual  But Buck hasn't grown up. He's living with his mother, he still likes childish things.  And he's still gay.



When his mother dies, Buck remembers his lost boyfriend, and begins stalking him.  Humorous complications ensue.  Chuck is up for a "bit of fun," one last homoerotic fling, but he finally convinces Buck that he's got to move on.  Being gay is fine for kids, but eventually you have to grow up, get a house, job, and wife, accept your heterosexual destiny.

But it's not merely a matter of acquiescing to the heterosexist mandate.  When you grow up, you literally turn heterosexual.

What about adults who are gay?  Well, they are, in the words of Mike White, "retards." They've experienced arrested development.  They're terrified of adulthood, with its responsibilities and its ladies, so they get stuck in childhood.

 Freud thought that, too: you're gay because you stopped at the oral stage of psychosexual development, and have yet to experience real, mature, heterosexual desire.

And Mr. Falwell -- um, I mean Mr. White -- expected gay people to eagerly accept this theory?  Did he think he was writing for Will and Grace?


This is easily the most homophobic movie made in the U.S. since Cruising(1980).  I would say "the world," but Poland's Floating Skyscrapersis a little worse.

Two years later, Mike White wrote the script for Orange County (2002), which has two gay characters ( played by Kyle Howard and RJ Knoll), but they actually are adolescents, so I can't tell if they have "arrested development" or not.

And director Miguel Arteta?  The New Normal (2012).

By the way, the top photo is of Eric Nies, who has no connection to this movie, and has probably never even seen it.

Summer Beefcake at the Renaissance Faire

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In 1963, Los Angeles teacher Phyllis Patterson and her husband hosted a week-long "Renaissance Pleasure Faire" in Irwindale, California, modeled after the "Living History" exhibits then popular in historic sites.  People walked around pretending to actually be living in the Renaissance, wearing the costumes, performing the crafts,  talking the lingo.

The practice gained momentum during the Medieval mania of the 1960s and 1970s, when thousands of hippies, organic food devotees, and Tolkien-philes longed for a cleaner, simpler, more colorful world.

Where gym-toned guys took their shirts off.

I'm not sure where in Renaissance Europe these dancers came from.

When I dated a guy from the Society for Creative Anachronism, they told me that their character could be anyone who could have been in Europe from 500 to 1500 AD.  So no Native Americans or Pacific Islanders, but East Asians and sub-Saharan Africans were ok.

Maybe these guys are from Renaissance India.







Renaissance Faires are not popular in Europe: when there's a castle on every hillside, and your house dates from the 16th century, you don't really need to evoke the Renaissance.  It's already there.

But there are hundreds in the United States.  Some draw as many as 500,000 visitors per year.












I studied the Renaissance.  They had lice and fleas, bathing was infrequent, dinner consisted mostly of bread, and the homicide rate was ten times what it is today.  You were likely to be burnt at the stake for being Jewish, Catholic, a gypsy, or a sodomite.

And without modern nutrition and bodybuilding techniques, there were few physiques like this around.

But the Renaissance Faires are about the Renaissance we wish existed.





They tend to be a bit on the heterosexist side, all about men and women gazing into each other's eyes (heterosexuals never believe that gay people existed in the past).  But they're worth it for the beefcake, the food, and the costumes.











Gay Symbolism in the Tom Swift Books

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Adults who knew that I liked boys' adventure stories and science fiction sometimes gave me books in the Tom Swift series.  After all, they starred a boy scientist who came up with weird inventions, and they were available in every department store.  But I didn't care for Tom Swift, in spite of the beefcake covers.

There have been four incarnations of the boy scientist.

1. Tom Swift, Senior (40 books, 1910-41) is a young adult, working for his father's construction company and inventing things (a motor-cycle, a motor-boat, an electric rifle). He adventures with a friend, Ned, but while most adventure boys of the era have no interest in girls, Tom practically shoves Ned aside the moment their gyro-copter lands at Shopton Airport in his haste to hold hands with Mary Nestor.



2. Tom Swift, Junior (33 books, 1954-71) is the son of the original Tom, a teenager who uses Dad's vast laboratories to invent things (a space solartron, a triphibian atomicar, a polar-ray dynosphere).  Mostly he uses them to fight the Communists. It's all very mechanical rather than scientific, like shop class.

Tom engages in some buddy-bonding with his friend Bud Barclay, but both have girlfriends -- with relationships much more overtly romantic than those of the Hardy Boys:


Tom grinned. "How about another dance, Phyl?"
As the music struck up again, he squeezed Phyl's hand. Phyl blushed as she returned the squeeze. "You rate with me," she confided shyly.




3. Tom Swift III (13 books, 1981-84) is probably a descendant of the original tom (though his paternity is never fully explained).  In the future,  doesn't really invent anything; he travels through space on a faster-than-light craft, along with two companions, Ben and Anita. I haven't read any of these.













4. Tom Swift IV (15 books, 1991-93) is the son of the original Tom.  He stays on 1990s Earth and invents things, and collaborates with the Hardy Boys.

This Tom has a best friend, a practical joker named Rick, but again, they both have girlfriends, with lots of hand-holding and kisses on cheeks, and discussions of feminine beauty are almost as common as discussion of science.

For whatever reason -- a desire to be "relevant," to attract female readers, to avoid the obvious gay subtexts in the Hardy Boys series -- the ghost-writers introduced an incessant girl-craziness.  There was some buddy bonding, too, but it was drowned out by Tom blushing as he held the hand of some girl.

My Friend with Benefits Learns About Gay Men

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In the fall of 2005, I moved to Fairborn, Ohio, a suburb of Dayton, to take a job at Wright State University.  After 20 years in gay neighborhoods, it was a shock.  Dayton had only a tiny gay presence: a bar, two welcoming churches, a gift shop with gay-themed cards, and two organizations, one with the oddly closeted name “Friends of the Italian Opera” (“we do not go to the opera or discuss the opera”).

There was a gay neighborhood in Columbus, about an hour away by car.  But I could spend only about 10 hours per week in a gay neighborhood. 95% of my life took place in the Straight World, where everyone and everything was heterosexist.  Most people were completely unable to understand that gay people exist:

Grocery Store Clerk: "Here's your Super-Valu Discount Card.  Do you need another one for your wife?"
Me: "I'm gay, so I don't have a wife.  Can I get one for my partner?"
Clerk: "Anybody in your household.  Just tell her to sign it on the bottom."


Sexual Harassment Trainer: "Sometimes students of the opposite sex will approach you for dates, but you should refuse."
Me: "Could I date a student of the same sex if he was not taking any of my classes?"
Trainer: "No.  She might enroll in your classes in the future."

Me: "Could you have my car finished by 5:00?"
Auto Mechanic: "Hot date, huh?  Is she cute?"
Me: "As a matter of fact, he is quite attractive."
Auto Mechanic: "Yeah, I'll bet she's cute."

And my classes!

My apartment in Fairborn
I got my Ph. D. in Sociology to teach Gay Studies, introducing gay students to their history and culture.  How did I end up teaching Criminology?  And mostly to soldiers from the nearby air force base, who were studying criminology for the purpose of catching pedophiles and terrorists?

Classrooms full of muscular soldiers may be visually appealing, especially while it's still warm enough for chest-hugging t-shirts, but the opinions they expressed were uniformly 1950s conservative: crime is caused by a namby-pamby penal system, and delinquency by broken homes and violent video games; and “homosexuals” are very sick, too sick to enlist in the military, most likely conspiring with the pedophiles and terrorists to take away our freedom.



I burrowed into the womb of my apartment.  I didn't go into Columbus.  I didn't go to gay venues in Dayton.  I taught my classes and went to the gym.  On weekends I ordered Chinese food, watched Seinfeld, and hung out in internet chatrooms.

My only social life came from Chuck, a "friend with benefits": one of those guys who visit you for awhile and then leave, with only minimal contact information and no personal biographies.

Chuck was in his early 30s,  very muscular, with short brown hair and a round, appealing face.  He visited every couple of weeks -- I would call him, or he would call me.

It wasn't much of a social life.  We never left the apartment.  We didn't talk much.  Chuck never volunteered information, and he responded to questions with a noncommital grunt.  After six months of regular visits, all I knew about him was that he coached a Little League Baseball Team, he liked folk dancing and Seinfeld, he hated Chinese food, and he visited his mother on Christmas Day.  And he was "straight."

One Thursday morning in the spring of 2006, I went to the gym as usual and tried to run on the treadmill, but for some reason it was too difficult.  I walked about a mile, then went to my office to wait for my Juvenile Delinquency class at 11:00.

Soon I started feeling light headed.  Ok, I was getting sick.  I would go home right after Juvenile Delinquency.

At about 10:00 am, I realized that I would never make it to class.  In fact, I would never be able to drive home.  I stumbled down to the department office and told the secretary, "I'm not feeling well.  Can you find someone to give me a ride home?" While she was on the phone, I collapsed.

At the emergency room, the doctor told me that I was severely dehydrated from the flu, I should stay in bed a few days, and could I get my girlfriend to come pick me up?
"You mean my boyfriend?"
"When can she pick you up?"
"Well, actually, I don't have a boyfriend."
"A friend or relative, then?  Somebody has to pick you up. You can't drive yourself."

I checked my cell phone.  Friends and relatives from California, New York, Florida, Indiana, Illinois, plus Austria, Belgium, England, France, and Estonia.  They wouldn't do much good.



I couldn't admit to the doctor that I had lived in Dayton for almost a year, and hadn't made any friends.

My only Dayton number was for Chuck.  But he wasn't actually a friend....

Well, any port in a storm. I called and said "I'm in emergency room.  Severe dehydration -- it's not contagious. I just have to stay off my feet for a few days, and I can't drive.  Can you come over and pick me up?"

"Why me?" he asked, understandably.

"Um..all of my other friends are at work, and I don't have their work numbers."

"Um...I guess, ok.  Sure."

It took him over an hour to show up.  "Sorry, I made a couple of stops first.  Got you some get-well presents." He handed me a bouquet of flowers and the Seinfeld Season One DVD set.

We drove back to my apartment, and Chuck helped me inside -- I was still shaky -- and into my bathrobe.  By this time, it was 3:00 pm, and I hadn't had any lunch.  "Could you get me some soup?" I asked.

"Soup?  I think we can do better than that!" He went on a grocery run, and returned to make gumbo, garlic bread, a salad, and bread pudding.  We ate on tv trays and watched my Seinfeld dvd, and then Everybody Hates Chris and My Name is Earl.  

"Well, thanks for staying with me," I said, "But I'm really tired.  I want to go to bed."

"Ok, no problem.  Let's go." He helped me into the bedroom, pulled down the covers, and started unbuttoning his shirt.

"Oh...sorry, but I'm not really in the mood to do anything tonight."

"Not a problem.  Tonight you're a patient, and it's my job to deliver TLC.  We can just cuddle."

So he held me in his arms all night.

In the morning I felt well enough to walk around by myself, and Chuck went to work.  He returned in the evening to make cheese burritos and a taco salad, with flan, and we watched a DVD of Murder on the Orient Express.  

As we were preparing for another night of cuddling, he said, "When you're feeling better, maybe you would like to go to a ball game.  I have season tickets to the Columbus Clippers."

"You mean...um...like a date?"

"Sure, why not?"

"Well, for the last six months, you haven't wanted to do anything except...you know."

"Yeah, but...you know, my whole life has been devoted to my family.  My parents, my sister and her kids.  I thought gay guys were only about sex.  Until you called from the emergency room."

"You didn't know that gay guys got sick?"

"If you asked me, intellectually, I would have said, 'sure, gay guys must get sick sometime.' They must watch tv, and eat dinner, and go to ball games.  But I never realized..."

"That gay people exist outside of bedrooms?"

"Right!  Exactly!" He clapped me on the back.  "I bet they even go on dates!" 

Codpieces: the Renaissance Bulge

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Men often try to draw attention to the size of their sex organs.  Athletic supporters -- ostensibly to keep them from flopping around, but also serving the function of creating an eye-catching bulge.

Football players' cups -- for protection, and to enhance their erotic appeal?

During the Renaissance, they wore codpieces ("cod" is the Old English word for scrotum).

Originally the codpiece was simply a triangular piece of cloth placed over the sex organs.  By the 1520s, it was getting cotton enhancments to better accentuate the basket.




During the codpiece craze of the mid-16th century, men tried to outdo each other with the biggest, boldest, most elaborate designs.

This is Don Carlos, Prince of Asturias (1545-1568), painted by Alonzo Coello.  Did he really walk around like that?













Guidobaldo II, Duke of Urbino (1514-1574), painted by Agnolo Bronzino, wears a huge ball-shaped codpiece.  I don't think his sex organs would really fit in there.

The codpiece was out of fashion by the time of Shakespeare, but fortunately, most modern directors don't know that, and push their actors into them anyway.












Today you can sometimes see codpieces at Renaissance Faires.    But not often. Modern men feel too exposed wearing them.
















Cruising in the Cub Scouts

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I was never a Boy Scout, but I was a Cub Scout -- for about five minutes in the winter of fourth grade.

They promoted it heavily in school, with film strips and guest speakers, and a giant assembly where they extolled the wonders of the Loud Thunder Boy Scout Camp.

Lots of cute boys hugging in swimsuits.

It sounded like a good way to increase our cruising options, and get more cute boys for our sleepovers, so Bill, Joel, and I joined.






I liked the cool blue uniforms, the Indian lore, and the various guidebooks that demonstrated how to win merit badges: swimming, diving, life saving.

And our  pack consisted mostly of boys we didn't know from class, so we did get some new opportunities for meeting cute boys.









The pack leader was cute, although I never saw him like this.

Bill and I always cut out just before the final song, "God Bless America," and ran home through the dark winter night to catch The Partridge Family.  It was fun being out after dark by ourselves.

But the benefits were far outweighed by the horrible arts-and-crafts activities!

First, we had to glue something together.  How was I supposed to know that new tubes of glue need a pin-prick?  I squeezed and squeezed, and the whole thing burst all over my scout uniform.

Not the best way to attract the attention of a cute boy.  My mother never did get it clean again.

And we were supposed to build cars out of a block of wood, and paint them.  Smelly, messy, disgusting.


But the worst was the Boy Scout Jamboree that we had to attend downtown.  Boy Scouts demonstrating inane skills, like gardening and being nice to old people.

The one I remember the most vividly is "how to build a fallout shelter" for nuclear war.  Way to put a damper on the afternoon!

The opportunity for cruising wasn't worth it.  Bill and I dropped out.  Joel stuck around.

A few years later, Harvey comics featured a series in which Casper becomes a Cub Scout.   Spooky and Hot Stuff join, too.

Apparently they are all eight years old.

I couldn't figure out why someone who regularly fights mad scientists, monsters, and aliens would want to spend his evenings glueing things together and carving cars out of wood blocks.

Unless Casper was looking for new cruising opportunities, too.

See also: Looking for Beefcake on the Swim Team and The Hookup at the Sleepover.

Mr. Muscle Doctor Big Basket, Jeff Stryker Italian Stallion

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One night at Mugi a very large  Asian drag queen in a flowered chemise and blond hair approached me.

Before I had a chance to give Attitude, she grabbed my hand.  "I am Auntie Bopha.  From Kampuchea.  You say Cambodia."

I had never met anyone from Cambodia before. They speak an Austroasiatic language, similar to Thai, with a distinctive writing system.  It wouldn't hurt to have a conversation.  "Hi, I'm Jeff."

"You got job?"

What kind of cruise line was that? "Um..yes, I work for Muscle and Fitness, and I'm in grad school at USC, working toward my doctorate in..."

"Oh, muscle, good.  And doctor, good, good!  Cure AIDS, maybe?"

"No, I won't be that kind of..."

"Get AIDS test?"

"Yes, I'm HIV negative, but..."

"Like get drunk?"

"No, this is just soda, but...."

Her hand clamped onto my crotch.  "Oh, big basket!  Good, good, good!"

"What the heck are you doing?" I angrily pried her hand off and started to walk away.

She grabbed my arm.  "Wait -- Auntie Bopha has a boy for you!" She pointed to the other side of the bar, where a slim Asian twink in a flowered shirt was staring at the floor. Black hair, golden skin, a beautiful angelic face.

 "New to America, two months only.  Not much English yet.  Name Chehay, means 'sexy,' yes?  You like?"

"Well, he is cute."

"Good, good, good!  You talk to him, ask for date." She hustled me across the room, where I shook Chehay's slim, soft hand.   We had a brief, stumbling conversation before Auntie Bopha interrupted.  "Ok, ok, Chehay like, Mr. Muscle Doctor Big Basket like, now date!  Good, good!"

We made a date for the next Friday night.  Auntie Bopha wouldn't let us grope or kiss.

I slipped my phone number into Chehay's hand, but somehow Auntie Bopha got it and called with demands: "Ok, for date, you must wear nice shoes and tie -- look nice!  Take Chehay someplace nice -- no McDonald's!  And bring flowers.  Otherwise insult.  And two Dove Bars!"


Chehay lived in a small apartment in Little Pnomh Penh, on Anaheim Street on the east side of Long Beach, about an hour's drive from West Hollywood.

Bopha answered the door --  not in drag anymore, just in a flowered shirt and too-tight purple shorts.  My heart sank -- was he coming along on our date?  But no -- he just put the flowers in water and parked himself in front of the tv to eat the Dove Bars!

After an intolerably long wait, Chehay appeared, smiling shyly, in a tan shirt with a red tie.  He smelled of a sweet, rather sickly cologne.  We hugged -- I wanted to kiss, but Bopha cleared his throat ominously.

We had dinner at a Cambodian restaurant a few blocks from Chehay's house, followed by cruising at Ripples.  I found that we could communicate in French better than English.

I made him blush by saying mon saucisse veut vous connaître (my sausage wants to get to know you). 

In Cambodia marriages were usually arranged, so Auntie Bopha was pushing him into getting a "husband," even though he was only 21 years old and wasn't very experienced with men.  The pressure to "settle down" was intense.

I squeezed his hand under the table.

Most guys told their coming out story on the first date, but Chehay told me about how when he was ten years old, his entire family was killed by the Pol Pot; he escaped by climbing through an upstairs window onto the roof, and lived on the streets for awhile until a friend took him in.  Then, in December 1978, when Vietnam invaded Cambodia, they walked 100 miles through the jungle into Thailand, ending up in a refugee camp in Mai Rut. He was 13!

I stared.  When I was in my freshman year in college, complaining about the heterosexism in my English class, this small, soft, passive person, with soft hands and a shy smile, was walking through 100 miles of jungle!

Chehay lived in the refugee camp for three years, then was sent to France as part of a refugee relocation program, where he completed secondary school.  Then Auntie Bopha -- who really was a distant relative -- paid for his flight to America and got him a job.

What could I say after all that?  I just held his hand under the table and drank my tea.

When we were cruising at Ripples, we finally had an opportunity to hug and grope, but he refused to kiss, with people watching.  He was surprisingly soft and fragile.  I thought he would break if I hugged him too hard.

And what could we talk about?  "Um, aimez-tu Corey HaimPouvons-nous aller a The Lost Boys?" Everything seemed so trivial!

When we returned to the apartment, Bopha was still there.  And he had company -- two elderly women -- real women, not drag queens -- who hugged Chehay, then me, and peppered us with questions in English, French, and Khmer.  "Had nice time, yes?     Est-ce que tu baiser? (Did you kiss?)  Kroupeti mneak ku lok? (Something about a husband)."

Finally they adjourned to the couch to drink tea.

"What was that all about?" I asked.

"No worries!" Bopha said.  "I tell Chehay's other aunties you make good husband, Mr. Muscle Doctor Big Basket, but they want to see. They say good, good, good!  Bedroom time!"

Embarrassed, Chehay looked down at his feet.

"Bedroom time?"

Bopha put our hands together.  "Ok, you wait long enough.  You ready, Chehay ready, Jeff Stryker Italian Stallion, yes?"

"Wait -- you're not going to stay here while we..."

"Oh, no, hour only -- enough to hear you take prohmcheari.  Then we go home.  You stay all night. Good, good!"

Suddenly we were alone in the bedroom.  Chehay smiled shyly.

"Est d'habitude  de attendre à l'extérieur?" I asked. Do elderly aunties usually wait outside?

"No," he answered in French.  "But two guys is not usual either.  They have changed the customs for gays."

I could hear them talking and giggling in the living room.  No doubt they could hear us as well.

Twenty minutes later, I was saying "I swear, this has never happened to me before."

It must be a combination of the horrors of Chehay's past, the ladies and drag queen waiting outside, the pressure of becoming an instant  "husband," and the uncomfortably gender-polarized masculine-feminine thing.  Nothing happened, no matter what I tried. Or Chehay tried.

Things went better in the morning, but still, Chehay told me he wasn't ready for a relationship, a polite way of saying "Don't call back." I hope he didn't tell Auntie Bopha that Mr. Muscle Doctor Big Basket was a big bust.

See also: A Celebrity Steals My Date

The Homophobia of "Rocky and Bullwinkle"

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Rocky and Bullwinkle (1959-64, and rehashed into many different series during the 1960s) is often praised as genius, a classic of animation. Amazon promises: "the wittiest, most inspired, and relentlessly hilarious animation ever created!"

No one thought it was great in the 1960s.  It was relegated to the Sunday morning ghetto, with Totalitarian Television and Davy and Goliath.

Either of which were preferable to the Moose and Squirrel.

Ok, maybe I was too young to understand the clever satire, so a few months ago I  purchased and watched Season 1 on DVD.

I still hated it.

50% of each episode was devoted to repetitive, incomprehensible filler:

When the mountain they are climbing is destroyed by lightning, Rocky and Bullwinkle fall to their deaths, but are resurrected in a field of daisies.

Magician Bullwinkle tells Rocky, "Watch me pull a rabbit out of my hat." He pulls out a scary monster instead, and quips, "I take a 7 1/2." 

When you finally got to the story, it was an endless serial cut into five-minute segments.  I never saw the first or the last of them, so I had no idea what was going on.  But the titles were bound to involve incomprehensible puns.
The Treasure of Monte Zoom
Maybe Dick
The Guns of Abalone
Kerwood Derby

I know what most of them refer to now, except "Kerwood Derby." It's a malapropism of "Durward Kirby," a very, very, very minor tv personality of the early 1960s.

And the animation!  There wasn't any.  Incomplete art, splashes of color instead of filled-in lines, no backgrounds, static scenes with only the tiniest mouth movement or gestures.  Abysmal!




The only things I liked were:

1. The scenes set in Frostbite Falls, Minnesota, the home town of the Moose and Squirrel, where they behaved and were treated like romantic partners.

2. Boris and Natasha, the Cold War spies from Pottsylvania assigned to steal the couple's secret or just grift them in various ways.  Although a male-female dyad, they were obviously not a romantic couple, nor did they express any heterosexual interest.

3. Some of the supporting features, like Fractured Fairy Tales, Mr. Peabody's Improbable History, and Aesop & Son.  








4. Some of the parodies of dull poets, like Henry Wadsworth Longfellow and William Wordsworth (really, who would write an entire poem in praise of daffodils?)

5. Edward Everett Horton, who narrated Fractured Fairy Tales, played "pansy" roles during the 1930s.







The Moose That Roared (2000), a history of the program, reveals that Bill Scott, Jay Ward's partner and the voice of Bullwinkle, often made homophobic statements.  "Women's dresses today look like they were designed by fags," he would rant.  Or he would tell a voice artist, "for this story, do your Fag Prince voice."

Of course, lots of people in the 1960s were homophobic, but it is shocking how Moose That Roared author Keith Scott (no relation) gushes about the homophobia as if it somehow made him endearing: "'There are too many fags in Hollywood,' Bill said with his characteristic wit."

See also: Peabody and Sherman


The Hitchhiker

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Another common porn scenario is picking up a hot hitchhiker, who happens to be gay, gifted beneath the belt, and interested in you.

I've only done it once.

In West Hollywood you saw guys hitchhiking all the time, but they were usually hustlers.  I never picked anyone up.

In San Francisco and New York, I didn't have a car.

In Florida I was too apprehensive, until David visited.

You remember David, the effusive, ultra-horny former minister who got me into lots of scrapes in San Francisco, like Waking Up to a Straight Boy in My Bed.  In August 2003, he flew out for a five-day visit.

The rest of the story is too risque for Boomer Beefcake and Bonding.  You can see it on Tales of West Hollywood.

Alice's Queer Wonderland

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I first encountered Alice's Adventures in Wonderland (1865) when I was 8 or 9, in a volume of the Junior Classics called Stories that Never Grow Old (along with such oddities as The King of the Golden Riverand Jackanapes).  I didn't understand most of it , and what I did understand was either horrifying or deadly dull.  Alice falls into a constantly-changing world where bizarre characters quiz her on her knowledge of arithmetic and poetry.  Most of them want to kill her. And it turns out to be a dream.

Besides, there were no cute boys or muscular men in it, although movie adaptions often feature hot actors, like Andrew-Lee Potts as the Mad Hatter (2009), left, or Jason Byrne as Pat the Gardner (1999), below.  Lewis Carroll liked little girls (a lot), but he detested boys.



Give me a nice, normal science fiction novel, like The Wonderful Flight to the Mushroom Planetor The Spaceship under the Apple Tree.

But in the spring of 1985, just before I moved to West Hollywood, the music video of Tom Petty's "Don't Come Around Here No More" used an Alice motif.  I reread Alice and its sequel, Through the Looking Glass, and found ample gay content.



1. No character displays even a hint of heterosexual interest. Lewis Carroll was utterly baffled by sex and romance in general, and looked in horror at the day when Alice would grow up, and marriage would "summon to unwelcome bed a melancholy maiden." Although there are occasional sexual threats, such as the Duchess, who digs her sharp chin into Alice's shoulder as they walk (begin Freudian analysis here).

2. Male characters often come in domestic duos: the Mad Hatter and the March Hare, the Mock Turtle and the Gryphon, the Walrus and the Carpenter, the Lion and the Unicorn.

3. For all of Lewis Carroll's fear of sex, he populates his Wonderland with phallic symbols (the Caterpiller's mushroom, the swaying flamingo mallets, Alice with the elongated serpentine neck) and castration motifs (the Red Queen's constant cry of "Off with his head!").  He is very interested in the power and threat of sexual potency.


4. The adult characters, with their lessons and demands, are trying to force Alice into the constraint of a proper Victorian girlhood, but she will have none of it.  She mangles her lessons, rejects advice, and fails utterly at domesticity when the child in her charge turns into a pig.  Gay kids understand, perhaps better than others, the malice of adult constraints, the "what girl do you like?" chant, the "when you grow up and get a wife" threats.

5. LikeThe Rocky Horror Picture Show, Wonderland uses madness as a substitute for the queer, the marginal, and the outsider.  "We're all mad," the Cheshire Cat tells Alice.  "You must be [mad], or you wouldn't have come here."

The Top 10 Public Penises of Estonia

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Summertime in Estonia means guys taking their shirts off, to work wrestle, jump over bonfires, hang out on the beach, or cruise.

If you're there at another time of the year, don't worry -- there's lots of public penises.

1. To start out, about a dozen naked statues of Kalevipoeg, the national hero.

2. The paintings of Lembit Sarapuu  and Kristjan Raud














3. The Linnahall, a concert and sports venue in Tallinn (some of the events of the 1980 Moscow Olympics were held there.)  I'm not big on sports, but notice the muscular nude bodies on the mural on the proscenium.

















This is the whole thing.









4. It was painted by Enn Põldroos, an artist and novelist who specializes in large-scale murals, mostly with muscular, nude men, sometimes with women.  Here's his mural for the National Library of Estonia.  Makes me want to read.

5. There are more nude men over the elevator.










6. In Tartu, you can see this very strange sculpture. a self-portrait of artist Ülo Õun and his 18-month old son.  Except the son is adult-sized. It's to commemorate Child Protection Day.














7. They're not nude, but this Tartu sculpture by Tiiu Kirsipuu imagines that gay playwright Oscar Wilde and Estonian writer Eduard Vilde got together for a chat around 1890.












8. This statue of Martin Klein, outside the Sports Center in Viljandi, seems to be lacking a penis, but it's amazing that he was sculpted nude at all. He was an Estonian wrestler who won the longest match ever recorded, 11 hours and 40 minutes, at the Stockholm Olympics 1912.












9. Suure-Kõpu Manor, near Viljandi, features this mural of a naked lady terrorizing a muscular centaur.  I don't know the myth it's referring to.












10.Kadriorg Palace and Park in Tallinn has some nice Baroque sculptures, like this Neptune fountain.



The Trauma, Terror, and Beefcake of Junior High Shop Class

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I read somewhere that the number of shop classes in elementary and high schools has dropped 75% during the last 20 years.

This is a cause for celebration.  Shop class was the biggest trauma of junior high.

Washington Junior High was segregated by gender.  All girls had to take home economics, to prepare them for their future as housewives, and all boys had to take woodshop, to prepare them for their future as...um...carpenters?

It was horrible.  The "teacher," Mr. Worse Than Hitler, was the nastiest, meanest, most despicable martinet who ever lived.  You tried to be as quiet and inobtrusive as possible: if he noticed you, he would criticize you, call you stupid, berate you for having a "smart mouth." And God forbid those times he walked around the class.

Head down, hands at your side, no eye contact.

Like being in prison.  No, worse.

And what, exactly, did Mr. Worse Than Hitler teach?

If I taught a shop class, I would start off by explaining what the various tools were called and what they were used for.  Maybe some safety tips.

Then the types of wood, what each was used for.

Demonstrate some simple projects.

Explain how this stuff would be useful to us in the future.

Nope -- he just let us loose: "The tools are over there -- the wood is over there.  Go to it."


I had no idea what to do, and I didn't dare ask Mr. Worse Than Hitler.  He would glare at me, call me stupid, or give me detention for having a "smart mouth."

Finally I figured it out -- I was already supposed to know all about working with tools.  All boys were.  It was part of our DNA.

Claiming ignorance about something that was innate?  You might as well claim that you didn't like sports, or girls.

There were no tests, quizzes, or graded projects.  But still, I got a D- for the semester.


Plus detention four times.
1. Not keeping my eyes lowered when Mr. Worse Than Hitler walked by.
2. Hammering a nail wrong.
3.-4.  Just because he felt like it.

But there was a bright side.

Washington Junior High was also segregated by social class.  Middle class kids, got college-preparatory science, math, English, and foreign languages.

Working class kids were channeled into remedial English, bonehead science, and "business math."

The only time we saw each other was in the classes required for everyone: gym, woodshop, and metal shop.

Wild, surly boys from the "wrong side" of 18th Avenue, wearing tight jeans and shirts with three buttons unbuttoned, smelling of their older brothers' cologne.

Italians and Greeks with thick biceps and big hands and dark slick-backed hair.

The only black kid at Washington, tall, lithe, with an enormous Afro that he combed constantly.

Catholic boys, future priests wearing scapulars.  

Hints of transgression, lawbreaking, sexual profligacy.

It was almost worth the daily trauma of Mr. Worse Than Hitler.

But I still run fast in the opposite direction whenever I am asked to do something involving hammers, nails, or screwdrivers.

See also: What is Gym Class For?


The Twink Sons of Mr. Blowfish

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The class I hated the most in high school was Public Speaking.  I didn't mind the speaking -- it was rather fun having an audience.  But the teacher, Mr. Blowfish!

Actually Mr. Lundquist, he was a prissy, snippy, ultra-swishy little gordito, balding, with a villain goatee, who lived to impress upon students that they were worthless.  He swept over the classroom, making condescending, sarcastic, and insulting remarks in his overmodulated, oversophisticated voice.

I assumed he was gay.  So, years later, I tracked him down to find out.

See Tales of West Hollywood for the rest of the story.

Pee-Wee's Playhouse

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When I was living in West Hollywood in the 1980s, we watched Mystery Science Theater 3000every Saturday morning, but we stayed away from children's tv.  It was crowded with insipid child versions of adult characters -- The Muppet Babies, The Flintstone Kids -- or insufferably cute furry animals -- Wuzzles, Kissyfur, Care Bears, Gummi Bears.  


But there was one "must see" exception.  At 11:00, every household in West Hollywood watched Pee-wee's Playhouse (1986-90).  It was a surreal, live action series hosted by the androgynous Pinkie Lee lookalike Pee-wee Herman (Paul Reubens), who would invite various live and puppet characters to play in his playhouse.

It was the gayest show on television.

1. A hunky speedo-clad lifeguard named Tito.


2. Drag queens Ms. Yvonne (right) and Mrs. Steve (left).  They both appeared at the 1990 AIDS Walk, and we all assumed that Mrs. Steve was a real drag queen, played by a male actor; I only discovered that she was played by a woman while researching this blog post. .

3. The extraordinarily feminine Jambi the Genie, who lived in a drag queen's jewelry box and lisped "Wish?  Did somebody say wish?" Everyone in West Hollywood spend the afternoon saying: Swish?  Did somebody say swish?"







4. Laurence Fishburn as Pee-wee's best friend Cowboy Curtis, who informed us that he slept nude, and joked about his penis size: "You know what they say about big feet -- big boots!"

5. The creepy, leering, obviously drunk King of Cartoons, who stumbled across the room and slurred "Let the cartoon begin." And the creepy 1930s cartoon that followed.  Ok, he wasn't gay-coded, but who puts a guy who's drunk, or pretending to be, on a kids' program?

6. A hunky soccer player named Ricardo.

The writers, producers, directors, and cast have always claimed complete ignorance of any gay-coded characters or gay-subtexts.  In fact, according to Inside Pee-wee's Playhouseby Caseen Gaines, Paul Reubens was homophobic -- if he had known about any subtext, "he would have put a stop to it."

Or maybe he was just closeted.  Paul Reubens has consistently refused to comment on his sexual identity, although when he was arrested for allegedly possessing child pornography in 2002, he stated that he was a collector of muscle magazines and "vintage homosexual erotica."


Summertime Beefcake at the County Fair

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If you wanted to insult a Nazarene, you accused them of being "worldly," engaging in behavior that wasn't sinful, but veered a little too close to the behaviors of "the wicked old world."

For example, women were merely required to avoid wearing men's clothing or jewelry, to keep their hair long, and to dress "modestly." After that, they were on their own.  So a skirt that came above your knees?  Not a sin, but sure to get you glares and whispers of "worldly!"

It was a sin to go to the theater, but what if the theater came to you?  If you went to an amateur drama production at the high school, you weren't technically backsliding, but your Sunday school teacher would certainly admonish you for being worldly!

The Nazarene Manual had a long list of "entertainments" that were forbidden by God: carnivals, circuses, festivals, theaters, moving picture shows, dance recitals, vaudeville shows.  But it didn't mention fairs.  An oversight, certainly, but one that made fairs worldly instead of sinful.


So I never went as a child, and of course when you live in a gay neighborhood, the thought of going to a county or state fair never crosses your mind.

I didn't start going to them until I met Jeremy, who was a fan.

Ok, they're very crowded, with redneck stuff like farm exhibits and tractor pulls.
Glittering, gaudy rides and games of skill hawked by scary people with cigarettes and big baskets.

Crazy food like deep fried Twinkies.

And the people who eat deep fried Twinkies every day.

Heterosexuals as far as the eye can see.

There's something fascinating about heterosexuals in the wild, certain that there are no gay people for a hundred miles around.


Married heterosexuals wander around with their kids in tow.  But unmarried heterosexuals come in single-sex packs, hanging all over each other, grabbing each other's butts, engaging in all sorts of homoerotic hijinks.

Not to mention the ample beefcake, muscular men with their shirts off and their jeans packed.

If their shirts aren't off, ask.  They may be persuaded to strip for a photo.

See also: Celtic Festivals
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