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"Agent Elvis": Cuddling at the fake Moon Landing

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 Agent Elvis
 (2023) features Elvis Presley (Matthew McConaughey) interacting with some of the real people and events of the 1960s, like Timothy Leary, Howard Hughes, and the Rolling Stones concert at Altamont, but as a secret agent, working for the mysterious Commander (Don Cheadle).  I reviewed Episode 1.3.

While filming A Change of Habit (1969), Elvis hears about the Moon Landing, and, upset that he's not going, decides to take out his frustration on some drug dealers.   His assistant Bobby Ray (Johnny Knoxville) tells him that Flyboy (Tony Cavalero), who hangs out in the studio parking lot, selling maps to movie stars' homes, actually sells cocaine.   His handler tells him that they still have scenes to shoot, but he rushes down to the parking lot.


Why is Flyboy dressed as a pimp to sell cocaine?  He explains that drug dealing and pimping have an intersecting clientele. 

Who is his cocaine supplier?  Flyboy doesn't want to say, because "snitches get stitches," so Elvis steals his clothes, ties him up in the back seat of his car, and siks his ape companionm Scatter, on him.  Faced with having his head bit off, Flyboy tells him.  


With Flyboy trapped in the trunk, Elvis enters a sleazy apartment building.  His handler appears again, ordering him to get back to the studio to film the remaining scenes. Besides, taking down drug dealers won't get him on the Moon Mission: "No matter what you do, it's not going to turn you into an astronaut."  Elvis doesn't listen: he beats up the drug wholesaler and his henchmen, but Scatter kills them before they can tell him about the big cocaine shipment coming in.


He returns to Flyboy and threatens to have Scatter shoot his balls off unless he squeals. Ok, ok: Big Rod (get it?), who hangs out down by the pier.

After some 1960s-style fighting and chasing, Elvis returns to the studio, where the agency head, The Commander, is setting up for a fake Moon Landing.  He had been planning to invite Elvis all along: "I had a whole thing planned -- drinks, snacks, a chocolate volcano, cuddles, watch the Landing together" Wait -- he wants to cuddle with Elvis?  But Elvis was so busy chasing drug dealers that he missed it.  Neil Armstrong is too coked out on Tang to perform,  so Elvis gets to do it after all!


There are some bulge and rear-nude photos in the NSFW version of this review.

Beefcake: Animated Flyboy in his underwear.

Gay Characters: No one expresses any heterosexual interest during this episode.

My Grade: Watching Elvis interact with historical events is kind of interesting, and there is a lot of homoerotic content. B.


"The Claus Family" A Pretty Princess Doll for Tommy, and a Shirtless GI Joe for Jules

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 The Claus Family (2020): A boy who hates Christmas discovers that he is the grandson of Santa Claus, and will have to take over when Grandpa dies.  Whoops, there goes his singing career!

Sounds a bit treacly, but it's in Flemish (IMDB says Dutch, but Flemish is a separate language).  It's Belgium, my third favorite country in Europe.   And teenage actor Mo Bakker posts shirtless instagram photos and has TikToks labeled with LGBT, so....

Scene 1: Santa Claus finishes up another run.  He lives in an ordinary apartment, not a North Pole workshop surrounded by elves.  Meanwhile, the depressed Jules and his family (Mom, Grandma, and little sister Norah, all blonde) drive through the snowy streets of the beautiful old Medieval town of Bruges, Belgium.  Jules covers his ears as they pass carolers singing a depressing Christmas song (I do the same thing!).

They arrive at the apartment, and start unloading the car.  Grandma continues to complain about this crazy plan of moving to Belgium.  Mom basically says: "My husband died, and we need a fresh start, so f*k off!"


Scene 2:
They start unpacking.  Sister Norah wants to know where the Christmas decorations are.  Mom stares in shock, and Jules yells: "No!  We're not celebrating!  I'm done with Christmas."  Nothng wrong with that.  Not everyone has happy childhood memories of That Holiday.

When the neighbors, Ella and Steph (Wim Wilaert, left) drop by with Christmas cookies, Jules runs to his room and has a tantrum.  I get haitng Christmas, but aren't you overreacting a bit?  

I guess not: his Dad died last Christmas Eve.  He flashes back to Christmas Past:   Dad explains that the lights on the tree represent the sun, which is hidden during the winter but always comes back to us. Darkness never wins; there is always a new dawn.  The pagan roots of the holiday!  Genius!

Scene 3:  Breakfast.  Grandpa is going to babysit while Mom goes to work (at a cookie factory).  Jules resists -- that old geezer?  But he doesn't get a vote, so it's off to Grandpa's toy store (the boy doesn't want to spend the day in a toy store? Maybe he thinks he's too old?).  

A couple of customers come in.  The teddy bear is broken.  The puzzle has missing pieces.  What is this, the Island of Misfit Toys?  And the snow globe -- "Hands off!  Not for sale!  Get away!"  So why do you have it out with the merchandise?

When Grandpa isn't looking, Jules examines the forbidden snow globe.  Zap -- he's in Brussels!  Zap -- China, where he's almost hit by a car! Zap -- the ocean!  He loses the globe in the deep water and has to dive for it.  This is more exciting than I anticipated.  Zap -- to Santa Claus's apartment.  Wait -- those are pictures of him and his family.  Grandpa is Santa Claus!  And back to the toy store.

Jules confronts Grandpa, who denies it at first, but finally comes clean.  Then he goes to the other room and collapses (off camera).


Scene 4: 
 Mom (Suzanne) at work.  The supervisor snits the rules: no jewelry, no personal phone calls, no bathroom breaks without permission, no talking, no happy thoughts, no developing new cookies.  Your job is to pack boring, flavorless cookies into boxes so people can buy them to give as last-minute gifts when they can't think of anything better.  She goes on to yell at Farid (Issam Dakka) for being out of uniform.  

Suddenly Suzanne gets a phone call: Grandpa Claus is in the hospital!  Farid offers to drive her.

Scene 5:  At the hospital.  Jules stares at Farid suspiciously: "Mom is replacing Dad already!  Can this Christmas get any worse?" 

Grandpa hurt his shoulder.  He's going to be fine, but the doctor says he has to slow down and avoid stress.  But when Jules visits, he starts complaining: He's Santa Claus!  He has a billion toys to deliver!  It's unclear whether Suzanne knows his secret identity or not.

Scene 6:  Mom has to go back to work, so she gets the neighbor, Ella, to babysit.  Ella is only 15.  Isn't that the same age as Jules? Is he going to get a heterosexual crush?   Nope, she just brings him a sandwich.

Scene 7:  Jules returns to the hospital, and catches Grandpa trying to sneak out. A hospital is not a prison.  You're free to leave at any time, even if the doctors advise against it. Jules offers to help deliver the toys (just this once), so Grandpa can rest.  He hates Christmas, but family comes first.  


Scene 8:
Discharged, Grandpa returns to the toy store.  Jules offers to stay with him; he doesn't want to stay home, because it's just girls (girls, yuck!).  The training begins: Santa's workshop is inside the snow globe, staffed by miniature people who are famous in Belgium (this may be the actor playing Holgar).

Grandpa and the staff argue about whether to tell Jules the truth.  "He hates Christmas!  He'll never accept it!"  "He'll come around.  It's his destiny!"  It's tough being the Chosen One.

The toys appear in rows of glass cases, like an old-fashioned automat.  They search for each child's request and pop it into a bag.  Wow, Tommy wants a princess doll wearing a pretty dress.  How gender-neutral!  It seems like a time-consuming process, but they have several days, not just one night (that should be enough to do Europe).  They also deliver candy; feel free to sample all you want, not like that soulless cookie factory.  

Scene 9: Suzanne at work at the soulless cookie factory.  She calls the toy store; no answer.  Where could Grandpa and Jules be?  Farid drops by with bad news: cookie sales are way down, so the company might fold, and they'll all lose their jobs.  Gee, I wonder where this is going.

I'll stop the scene-by-scene there.

Beefcake: None.

Other Sights: Mostly the same street.

Heterosexual Romance: Suzanne and Farid, probably, but it's very understated; a couple of hugs, one holding-hands scene.  He could just as easily be a friend.  Jules bonds with Ella, but treats her as a friend, not a "girl of his dreams" crush.

Gay Characters:  When one of the little people comes to Jules' room to talk to him, she's surrounded by his GI Joe dolls (or a European version).  Two have their shirts off, one very prominent, the other in the background. The implication, obviously intentional, is that Jules removed the shirts of his GI Joe dolls to see their muscular physiques.  

Hating Christmas.  I understand that a Christmas-themed movie must result in everyone loving Christmas, but still, I thought that there should be some accommodation for those of us who don't like the holiday, or who don't celebrate it, like Farid.  

My Grade: A

Update:In The Claus Family 2 (2022),  Jules still doesn't display any heterosexual interest.  He speaks to Ella only once; her main job is to conspire with Grandma to try to push Mom and Farid together -- until we discover that Farid is gay, and has a partner (they even kiss). 

Update again: In The Claus Family 3 (2022), Jules still doesn't display any heterosexual interest.  A girl about his age is working at the ski lodge where the family is spending the holidays, but he doesn't give her a second glance.  

Underground Railroad: Slave Brutality, Magic Realism, and Bury your Gays

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The Underground Railroad was a network of safe houses and allies that helped enslaved African-Americans escape to the North, or after the Fugitive Slave Act, to Canada.  

The 2023 tv miniseries suggests that it was a real railroad, a series of trains and tunnels run by an intricate bureaucracy. As Cora and her friends and love interests head north, pursued by slave-catcher Arnold Ridgeway, they encounter bizarre communities and have adventures that comment on the racism in the pre-Civil War South and the contemporary U.S.

I reviewed Chapter 1, "Georgia."

Link to the NSFW version


Scene 1:
Surreal montage of people running backwards, falling into a chasm, being all bloody, and finally Cora telling us: "The first and last thing my mama gave me was apologies."  Cut to Caesar (Aaron Pierre, left) asking Cora to head north with him, for "good luck."  She refuses.  The way they keep pushing their heads at each other, they appear to be a romantic couple






Scene 2
: Whooping and dancing in the slave compound.  Cora brings the older Jockey some food.  Their owners appear: Terrence (Benjamin Walker, left), who runs the other half of the plantation, disapproves of the "lenient" way that James treats his slaves. So they ask a kid to recite the Declaration of Independence.   They mean the Declaration of Secession, so the Civil War is on.  How is anyone heading North?   He can't do it right, and he accidentally touches them, so Terrence has him beaten to death. And Cora, for intervening. They are left chained to the whipping post all night.

Scene 3: In the morning, the ladies tend to Cora's wounds, and Caesar takes her home. Later, his wife Frances says "I know about men like you. You sneak off in the night and roll around in the swamp with other mens on your back."  Ok, so Caesar is gay.  She's fine with it, but master brought them together to reproduce, and if they don't, Master Randall will cut off his dick, so get with your husbandly duties!  

Scene 4: Prideful (Lucius Baston), the black overseer, tells Cora that she's being moved.  She resists (I can't imagine why -- her new owner can't be much worse)

Cut to James walking through the woods.  He's nice to a little boy named Hezekiah  then coughs and collapses. 

Cut to Terrence in the fields, telling the slaves that his brother James has died, so now he owns the whole plantation, and will stop being "lenient": no more parties, no more outside work, and he'll be overseeing the "breeding,"  Perv just wants to watch couples doing it.  He also wants to have sex with Cora.


Scene 5:
Slave catcher Ridgeway (Joel Edgerton, left) and his assistant, a young black kid named Homer (Chase W. Dillon), have a very muscular escaped slave, Big Anthony (Elijah Everett), in a cage. They return him to Terrence's plantation. 

Ridgeway advises Terrence to place some moles in the fields to rat out talk of escape.  An underground railroad has appeared to abet runaways. Terrence doesn't believe it, but Ridgeway asks him why some escaped slaves disappear forever, as if they've gone to a new world. An alternative reality with no slave trade?

 They discuss his biggest failure -- he couldn't capture Mabel who escaped long ago, when Terrence's father was alive.  Terrence avers that Mabel was evil -- even her daughter Cora is evil -- so his failure to find her is understandable.

Wait -- her daughter?  Maybe she knows something!  Ridgeway interrogates/ sexually assaults her. 

Scene 6: Terrence watching as Caesar (the gay one) tries to mount his wife.  Afterwards Caesar retrieves a book hidden under the floorboards: Travels into the Several Remote Nations of the World, better known as Gulliver's Travels. So the underground railroad does lead to an alternate world.


Scene 7: 
 A lot of white people eating, drinking, and frolicking while the escaped slave, Big Anthony, is being whipped.  Mr. Churchill disapproves of partying while a man is being tortured, but Terrence assures him that the slave is not a man, as he can't think, reason, or love. He summons the slaves to watch the second part of his torture, being burned to death, so they know not to attempt an escape.

I skipped over that part -- a bit disturbing -- and fast-forwarded to Caesar and Cora escaping.  Fletcher (Sean Bridgers) takes them in, leads them to a cave, and enters their names in the railroad manifest. He and Caesar keep gazing at each other and touching each other -- boyfriends!  When the train finally shows up, Cora is standing on the tracks!  She's almost smooshed! 

Beefcake: Not much, and none from the black actors.

Other Sights: A lot of beautifully-designed shots of mystical country roads, vast fields, and characters immersed in half-light.  


Gay Characters:
Caesar, but he never gets a boyfriend and is killed at the end of Episode 2. Antebellum Bury Your Gays!  Fletcher appears to have a romantic interest in him, but their story is not examined in any detail, and after getting the Caesar and Cora on the train, he is never seen again.  

Reading the plot synopsis of Episode 4, with the back story of young Ridgeway (Fred Hechinger), I get the impression that he is gay.  I may check later.

Heterosexism: Not in the first episode.  Terrence and his brother both appear to be unmarried.

My Grade: Very slow moving, with people gazing intently at each other for five minutes before speaking. We don't even get to the railroad until the last scene. C+

There are some bulge, butt, and rontal shots in the NSFW version on Righteous Gemstones Beefcake and Boyfriends.

Rocky Horror Show Live: New Brads, Janets, and Rockies in Gold Lame Shorts

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What can you do with a movie that encouraged a generation of LGBT people, "Don't dream it -- be it"?

That encouraged the audience to participate by talking back, throwing things, and playing along with the characters?

That audiences played along to, week after week, year after year, until they had every image, every word, every gesture memorized?

That spawned a dozen catchphrases and a warehouse full of tie-in books, magazines, cards, and toys?







What's left to do with the Rocky Horror Picture Show?

Revive the original play, which ran in London from 1973 to 1980.

It's considerably different from the movie -- new songs, different dialogue, Magenta and Columbia have different characters, and most interestingly, Rocky talks.  A whole new take on the Rocky Horror universe (you can read the script here).

Revivals began in  1990 in Britain.  In the U.S., a Broadway revival played from 2000 to 2002, with every beefcake hunk imaginable cast as the underwear-clad Brad, the gold-lame muscleman Rocky, and sweet transvestite Frank-n-Furter: James Royce Edwards,  Luke Perry, Micah Thompson, Jonathan Sharp,


There are new costumes, new cast dynamics, new subtexts -- being gay or transvestite is not nearly as shocking today-- and a raucous evocation of the long ago disco- and sex-obsessed era of the 1970s.

It's now playing everywhere, in high schools, colleges, community theaters, little theaters.  Halloween season is most popular, but it can be seen at any time.  According to the official show blog, here's where it's coming up in 2014:

The Grandview Playhouse, MA, April-May
The Bangor Opera House, ME, June
The Ivory Theater, MO, October
Downtown Theatre, CA, October
World Trade Center Theatre, OR, October
Oh Canada Eh?, Niagara Falls, October



So even if you've had some terrible thrills many, many times before, it's always exciting to go down to the lab and see what's on the slab. Let's do the Time Warp again.


"The Final Girls": Psycho-slasher parody with two queer characters and some beefcake.

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In The Final Girls (2015), not to be confused with Final Girl (2015), actress Amanda and her daughter Max are driving home from an audition that she bombed.  She complains that she is typecast as a "scream queen" due to a role in the famous psycho-slasher movie, Camp Bloodbath, back in the 1980s.  She was the Final Girl, the one who didn't have sex, and therefore got to live.  

But not in real life: at that moment, they get into a car crash.  Mom dies!  

 Three years later, Max is in college, studying with her Love Interest Chris (Alexander Ludwig, left) and a couple of female friends, when horror fan Duncan (Thomas Middleditch) talks them into going to a midnight showing of the movie and its sequel.


Remember, Max is still mourning her mother.  Why go to a movie where a psycho-slasher is trying to kill a younger version of her?

Suddenly, zap!  They are trapped in the movie...and the psycho-slasher is stalking them, too!  They have to use their wits and knowledge of the genre to defeat him.

The first character they meet is Kurt (Adam Devine, right), an obnoxious jock.  He is also apparently bisexual -- he hits on boys and girls both, and thinks that gays "have a cool lifestyle."  Interestingly, instead of a homophobic slur, he tells Chris to "suck a turd." 

Like most psycho-slashers in the movies of the 1980s, Billy (Daniel Norris) targets teenagers having sex, so so when Kurt strips down to his bulge while his girlfriend waits in the next room, Max and her Love Interest rushes in to distract him.  Try showing him your dick -- oh, wait, the killer is attracted to gay sex, too.

The other queer camp counselor is Blake (Tory N. Thompson), who also black.  You know what happens to the black guy in psycho-slasher movies, right? Gulp! 

Next the visitors from our universe try warning the characters about the psycho-slasher.  Remember, Max is interacting with the movie version of her own mother, so she'd rather not see her skewered.

The plan backfires: everyone runs away screaming.  


Kurt and his girlfriend try to drive away, but they hit a totem pole and die (Kurt is pretzeled).   But in the original movie, they survived!  The intruders have tampered with the plot, and now all the rules are off.  No one will survive.

Well, some survive.  You'll have to watch the movie to find out who. 




Beefcake:
 An underwear scene.

Heterosexism: No one actually has sex, for obvious reasons. Some girl boobs.

Queer Characters: Kurt and Blake,  through queer codes instead of self-identification.  But this is supposed to be the 1980s, when you were lucky to get that much representation.  Writers M.A. Fortin and Joshua John Miller are a gay couple, and speaking to their own experiences as horror fans.  

My grade: A-

There are some bulge and frontal nude pictures in the NSFW version of this review.

"Crazy Fun Park": Dead gay teens come to life in an abandoned amusement park in Australia

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Crazy Fun Park, on Hulu:  Chester's best friend Mapplethorpe has died in a tragic accident at an abandoned amusement park. He is "grief-stricken without his soul mate," until he discovers that "the soul of his mate may not be alive, but is very much kicking."  Don't get too excited -- in Australia "mate" just means "friend."  Still, I wonder if there are any gay subtexts here.

Episode 1: "I Don't Want to Grow Up."  Ugh, are they going to present same-sex romance as something you grow out of to pursue a "real" grown-up heterosexual romance?


Scene 1:
Mapplethorpe (Stacy Clausen, left), an energetic, goofy blond, is hanging all over the button-down, "that's not a good idea" Chester (Henry Strand) as they work on their history presentation, Zombie Joan of Arc fighting zombie Da Vinci.  Whoa, these guys are hot for each other.

Scene 2: Time for school, so they skateboard through Asphodel Heights (get it?  it's the flower of the underworld) and arrive ten minutes late.  The teacher makes them re-do the assignment.  They grin at the new girl, Violetta.  Uh-oh, a Love Interest, but at least she's not walking in slow motion, hair blowing in the wind.

Scene 3: Out in the hallway, they're accosted by bullies, but at least no one makes a homophobic slur: Mapplethorpe is called "rat-licker" and "bleached brains."

On to a mountain overlook.  Chester wants to move to Melbourne, where they won't be laughed at all the time.  Maphethorpe counters that they have everything they need in Asphodel Heights: a butt-tree (what do they do to it?), a Pride Rock (nothing gay-specific about it), and an Ambiguous Pole (it's actually called nonbinary).  We're getting some gay references that you'll only catch if you're looking for them.  

Scene 4:   Hanging on each other, the guys stand at the entrance of Crazy Fun Park, which opened way, way back in the Dark Ages (1979!), and closed after some accidental deaths.  They've never had the nerve to go inside (through a scary demon mouth?  I wouldn't, either).  Suddenly they encounter Violetta (naturally), who belongs to a club that photographs abandoned structures.  This is all a tease; One of the guys is going to fall in love with her, guaranteed.

Scene 5: The inside: a roller coaster, a ferris wheel, a merry-go-round, and a parody of famous statue of Walt Disney with Mickey Mouse (if you look from the right angle, Walt has an erection).  

Uh-oh, the fortune-telling machine lights up!  But the park has no electricity.  I'd be running, but they stick around. Mapplethorpe reads his fortune-card, but won't tell the others what it says.  A spider causes them to run screaming from the park.


Scene 6:
Violetta joins the guys on their walk home from school.  Her family runs a funeral home!  

She invites them inside to help her develop the pictures she took yesterday, but she can't find her film roll.  Besides, Mapplethorpe is scared, so Chester hangs all over him, and they leave.

Scene 7:  Split screen of the guys going home, greeting their parents, and texting each other about asking Violetta to help them write their horror comic.  Mapplethorpe is against it. Chester; "You didn't have to be so rude to her today."Well, he was jealous.  She's the competition.  

Mapplethorpe: "We need her as much as a turkey needs a ukelele."I've heard a phrase like that about lesbians, so maybe he's saying "We're gay. We don't need women hanging around."

Scene 8:  In the morning, the guys are late to school again.  This time there's a presentation on Melbourne Creative Arts High School. The teacher wants him to apply: don't let "misguided loyalty" stand in your way of artistic greatness!  Uh-oh, the eternal question, love or career?

Later, Mapplethorpe finds Chester in the library, re-doing their Joan of Arc report into something conventional.  But when Mapplethorpe touches the scanner, it crashes, and the keyboard catches fire!  Chester is irate, thinking that he ruined the report on purpose, and tells him to "grow up."  Maplethorpe lashes out at Violetta, who happens to be watching, and storms out.

Scene 9:  At home, Mapplethorpe tries video-calling Chester, but gets rejected.  "He hates me!" he exclaims.  Mom disagrees; "You two have a bond that is so special, it could survive anything"  Not that special -- it's called "being in love."  It happens to most people. 

Apprised that you should never go to bed with bad feelings, Mapplethorpe goes to Chester's house to make up. He tries to apologize, but Chester says "It's not me you should be apologizing to."  "So this is about her?"  Durn women, always interfering.  Why can't it be just two guys, living together and doing the things that married couples do? 

"We've got to grow up eventually," Chester says.  Yep, their same-sex love is temporary, to be abandoned for mature hetero-romance. "What if I don't want to?" Mapplethorpe asks, but of course he has no choice.  He gazes longingly at Chester and then steps aside: "Let's go to the Crazy Fun Park and find her lost film roll.  That will get her to like you again, right?"  Chester won't do it; too dangerous

Out on the street, the jilted boyfriend reads his fortune-card: "Can you surrender that which you desire most?"  Looks like you already did.  He goes to Crazy Fun Park by himself and walks through the scary demon mouth. Violetta wakes up, precognitively aware that something is wrong.

Scene 10:  In the morning, Chester is waiting to walk Mapplethorpe to school.  He never shows up.  Assuming that he's upset over the breakup, Chester rushes to school by himself, but Mapplethorpe isn't there!  His Mom calls: he didn't come home last night!  Then the police: "Was there any reason Mapplethorpe would go to the park alone."  I thought this was a comedy.  It is definitely a drama. 

We cut to the body being taken to Violetta's funeral home, as she gazes mournfully.  Chester goes to the park and calls for Mapplethorpe, hoping that this is just a prank.

Wait -- things start to turn on, a display of stuffed animals barks, and a scary clown squirts him with pink fluid (it's actually not pink, but ok).  The mask comes off: it's Mapplethorpe!  "Welcome to Crazy Fun Park!" he exclaims.  The end.

In future episodes, Mapplethorp and Chester will meet other teens who died in the park, in tragic (and gruesome) ways, and are trapped there, coming to life every night.  Fortunately, the park comes to life, too, so they can go on rides and such.   A few are heterosexual, but most seem to be gay: the Peter Pan Syndrome, gay as arrested development, being a kid forever.

So, Mapplethorpe is obviously in love with Chester, but is it subtext or text?  I can't tell for sure, but:


1. Episode 8 features Mapplethorpe befriending another park resident, a boy ghost named Zed.   He doesn't remember his real name, or anything about his life before dying -- until he remembers.  

2. Henry Strand has played a gay character before.

3. Writer/director Nicholas Verso also wrote and directed Boys in Trees: a boy named Corey encounters his old friend Jonah, whom he left behind to "grow up."  As they walk home,  we gradually realize that Jonah has died, and his home is in the cemetery.  Sounds like a similar set-up, with a similar theme of LGBT people as stalled on the way to adulthood, unable to "grow up."

So maybe it's text, but done so obliquely that you won't see it unless you're looking for it.  Everyone else will read them as platonic pal.

The Top 12 Sights of South Carolina

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 I have relatives in South Carolina, and I had two job interviews there, so I've visited a number of times, most recently in October 2022.  Here are some "vacation photos." 

The nude photos are all from public websites or posted with permission of the subject.


1.Dante, from Beaufort (in the middle).




2. Spiderman, ready for trick-or-treating in Charleston's French Quarter








3. Cadets at the Citadel.







4. Old City Market, Charleston









5.An interesting house in Walterboro









6. Yes, they have ballet in South Carolina.

More after the break







7. Drayton Hall, Charleston









8.Rocky Horror Picture Show.












9. From a friend's Facebook page: Columbia Halloween.










10.Gay Fish Company, Beaumont.







11. Buddhist Temple, Clover










12. Walterboro wrestling.

There are nude photos on the NSFW version of this post: The Top 12 Sights of Gemstone Territory







"Merry Happy Something": Watch it with the Family Bigot

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Spending Christmas with The Relatives on the other side of the world is always stressful: stuck in a house for two weeks with no exercise unless it's nice enough to jog outside, forced to watch...ugh...sports and eat...ugh...meals prepared by people who think potato chips are vegetables, all the while deflecting conversations about religion, politics, Muslims, and homa-sekshuls (you don't want the Family Bigot to start screaming).

Spending Christmas with the boyfriend's relatives is even worse, since you have to switch instantly from boyfriend to "roommate" depending on which member of the extended family knows. And sometimes you aren't informed in advance.  I once spent an entire afternoon being "the roommate" for my boyfriend's aunt, only to hear "Oh, she's known since I was 12."

So when I saw that Netflix released Merry Happy Whatever, an entire eight-episode tv series about the horrors of meeting The Relatives at Christmas, I planned to watch.  No doubt it would be infinitely heterosexist.  So what?  It would still be a good cure for the Day After Thanksgiving malaise, with The Visit looming.

It's a traditional multi-camera sound-stage sitcom, with a couch downstage center facing what is supposed to be a tv set.  With a laugh-track yet.  How retro!

L.A. hipster and aspiring musician Matt (Brent Morin, below) agrees to fly cross country to small-town Bucks County, Pennsylvania, to spend a 10-day Christmas vacation visiting the Family of his girlfriend Emmy.

10 days?  That was his first mistake.


Family Patriarch Don Quinn (1980s hunk Dennis Quaid), a small-town Sheriff, seems to be channeling Tim Allen on Home Improvement, or maybe William Shatner on S* My Dad Says.  Sports, tools, cars, grunting, flee from anything feminine.

He's got ancient gender-based hangups on everything from women working to men wearing the wrong kind of shoes, plus a few that I never even heard of, like "only women should decorate the Christmas tree."

And he has three children (not counting Emmy) who are totally on board with his cave man machismo, and three in-laws who are trying hard to avoid his wrath by pretending to be:

1.Dimwitted jock son Sean (Hayes MacArthur, top photo) is generally a success: wife, house, job, kids, the litany of male accomplishments that I heard incessantly while growing up.  Then he loses his job, and is afraid to tell his wife, Joy (Elizabeth Ho), because a man who can't support his family is not a real man.

And their 12-year old son, Sean Jr. (Mason Davis), ha a heart-to-heart about "feelings" that he's been "trying to hide."  They brace themselves for a coming-out, but Sean Jr. means that he's an atheist.  Almost as bad for this conservative Catholic family!


2. Chirpy housewife Patsy is married, but has been unable to conceive a child.It must  be due to the less-than-manly sperm of her husband  Todd (Adam Rose). Also he's Jewish, but terrified of suggesting the most innocuous dreidel to augment the Birth of Baby Jesus.   

3. Aggressive, controlling Kayla (Ashley Tinsdale)  is married to mild-mannered Alan (Tyler Ritter, left). But when they arrive for the first of 10 traditional holiday gatherings with the Family, he announces that he wants a divorce. They're arguing all the time, and they haven't had sex in a year.

Kayla begins dropping broad hints that the reason they broke up is: she is not attracted to men. In fact, she likes women -- a lot.  She comes out as a lesbian to Matt, but is afraid to tell the Family. Wouldn't you be?

When Matt falls into this maelstrom, Dad immediately labels him "a woman" because he is a musician, doesn't like sports, faints at the sight of a needle, and is from California.  Aren't they all sort of iffy out there?   The rest of the Family, sensing that he' the weakest member of the pack, fall in line:

Matt: Where is everybody?
Patsy:  The men all went out to get a Christmas tree.
Matt:  Well, not all the men.
Patsy:  All the real men.

At first Matt tries to macho up and bond with Dad, but then he changes his tactics, pushing back against Dad's gender-role malarky.  Men can be sensitive, artistic, intellectual, non-sports enthusiasts.

Energized, the others start pushing back, too.  Todd gets the nerve to suggest adding some Jewish traditions to the household.

Sean gets the nerve to tell Dad that he lost his job, AND that his son is an atheist.

In the last episode, set on New Year's Eve, Kayla comes out.  The Family gathers for a group hug, and Dad gives her a rainbow-flag keychain.  Matt's intervention has worked wonders.

I think I'll watch this show again in a couple of weeks, when I'm back home visiting The Relatives. 





"When We First Met": Adam Devine competes with Robbie Amell, with time travel and bulges

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I've reviewed a lot of Adam Devine's work, looking for gay subtexts, and he does not disappoint: nearly every movie, even romcoms where he gets the girl, is loaded with homoerotic interest.  

So I'm anxious to review When We First Met (2018).   Check out the poster (below): it looks like Adam is trying to keep the Girl and his rival from kissing, but you can also read it as Adam trying to decide between his rival and the Girl.

Scene 1: November 1, 2017. Beautiful establishing shots of New Orleans (except no French Quarter).  A fancy party.  Noah (Adam Devine) is gazing at Avery (a woman), who is gushing over the fact three years ago today, she met "someone special."  Aww, are they engaged? 

Flashback to October 31, 2014. Wait, she said exactly three years ago.  This is three years and a day. A Halloween party.  Amid all the guests in sexy costumes, we see Noah dressed as super-nerd Garth from Wayne's World.  That's no way to pick up chicks.

He passes Tony Cavalero dressed as Angus Young of AC-DC, then has a spilled-drink meet-cute with Avery, and guesses that she is dressed as Tom Hanks.  Even I know that's a bad move, and I haven't tried to pick up a girl since...well, ever.

She guesses that Noah is her lesbian cousin, then changes to Garth.  Yep: "The key to doing a good Garth impression is to make your  mouth into a tiny butthole." Dude, watching you flub like this is almost painful.  At least he takes the Garth-wig and glasses off so she can see his intense gorgeousness.  Maybe that will counteract his faux-pas.


Scene 2: 
Yep: as they watch the male-female couples making out, she asks "Do you want to get out of here?"  Translation: "You're a goofball, but incredibly hot. Let's have sex."  But first  he takes her to the jazz club where he plays the piano.  He makes funny faces and sings. Not going to get you laid, dude.  They get their picture taken in a mysterious photo booth. 

Back to her place, but instead of getting sexy, Noah wants to play foosball and eat Cookie Crisp cereal.  Dude, why do you keep stalling? This is the way gay guys act with their female friends.  Eventually he moves in for a kiss.

Back to 2017: Avery tells the crowd, "And that's when I realized that I was in love."  Wait -- she's engaged to Ethan (Robbie Amell).  She must have met him on November 1st, the morning after her hookup with Noah (who is smiling to put a brave front on his broken heart).  So he's been in the friend zone for three years, while Avery was with another guy?  Shouldn't he have given up and moved on long ago? 

He drinks a lot and throws up.  Avery and Ethan go into the bathroom to see what's wrong.  He claims food poisoning, while looking at Avery with a lovelorn expression that anyone would notice instantly.  Ethan gives him some crackers and mineral water -- he really cares about the guy -- then kisses Avery, which makes Noah even sicker.  She asks her plain-jane roommate to give him a ride home.


Scene 3
: Instead of home, Noah asks Plain-Jane Roommate to take him to his jazz-club workplace, where we meet his Best Bud (King Bach) (identified as absurdly hetero-horny from his first line). He explains what happened back on October 31st, 2014: he moved in for a kiss, but Avery gave him a hug instead, saying how nice it was to have a guy friend: "I left never knowing where I went wrong."  Got an hour or so?  I have a list.

 He figured he'd get a second chance, but the very next day, "fate kicked me in the ball sack." Avery was shopping for Cookie Crisp cereal, when Ethan appeared in her aisle, a shirtless winged centaur!  Don't get me wrong -- Adam is one of the most handsome men on the planet, and he has a spectacular cock, but in between, Robbie Amell's got the goods.    

Darn, I was so busy commenting on the first two scenes that I'm out of space, and we haven't even gotten to the time-travel plot.  Noah returns to the photo booth, which sends him back to October 31st, 2014 for a day.  He tries different strategies knowing everything about Avery; being nice; being a jerk; being career-driven.  Either things go terribly wrong, or else he gets Avery and everyone is miserable when he returns to 2017.  Guess who he ends up with, Avery, Ethan, the plain-jane roommate, or the best bud?


Beefcake:  
All three of the male stars shirtless, plus Adam's bulge when he's wearing leather pants.

Gay Characters: None, not even in crowd scenes.  Two references: Avery mentions her lesbian cousin, and Noah asks if she is at the Halloween party as a "tranny" (when he's being a jerk).

Gay Subtext:  Occasionally guys will be told "get a room!" when they look too chummy.

When Best Budy is showing Noah how to look sexy, Cavalero gives him a double-take.  A blink-and-you-miss-it moment, and very, very subtle, but as gay as it gets. 

My Grade: Ordinarily I would mark points off for the lack of LGBT representation or subtexts, but Adam is just too much fun to watch.  Not only because of his hotness -- he carries every scene, and he's friggin' hilarious.  I can't recall when I've laughed so much in a hetero romcom. B+

There are some bonus picsk of Robbie Amell's bulge and butt on the NSFW version of this review.

"Modern Family": Gay stereotypes, jokes, accusations. Are Nolan Gould's abs worth the aggravation?

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I watched the first five seasons of Modern Family (2009-2014), but stopped when we moved to streaming services.  Or maybe, as my posts from the era suggest, I stopped because of what I called horrendous gay stereotyping and brash homophobia.  So let's check it out: I reviewed Episode 5.17 (2014), which premiered shortly after I stopped watching.

Note: There are 12 members of the Modern Family, so pairs and trios split up for separate plots.  Although they are scattered through the episodes, I will cover them separately.

Link to NSFW version.

Set-Up: Family dinner at the home of patriarch Jay Pritchett (Ed O'Neill).  He suggests watching basketball next, adding with a sneer that his adult son Mitchell (Jesse Tyler Ferguson) wouldn't be interested because he is gay.  Mitchell counters: "Unlike you, I don't need a reason to watch men in shorts."  The possibility that men might find basketball players attractive ruins the game for Jay.  Jay is the homophobic one!  


The A Plot:
 Mitchel and Cam, the gay couple, and teenagers Manny and Alex (a girl).   They are all going to an art museum to see a Kandinsky Exhibit.  Jay finds it inconceivable that a straight boy would be interested in art.

On the way, they criticize the rest of the family's lack of refinement.  Jay buys his books at the grocery store!  The best way to get Claire to fall asleep is to show her a movie with subtitles!  

Then they discover that the Kandinsky exhibit is closed!  Problem: Cameron doesn't know anything about art, so he read up on Kandinsky so he wouldn't be embarrassed.  But now they're discussing Matisse, and he 's lost.  After making a fool of himself, he goes to wait in the car.  Dude, art is for everybody. They have self-guided tours and texts to help you understand everything.

 Next Mitchell reveals that he doesn't know anything about art either.  He leaves in embarrassment. Two remain.  But Manny doesn't know anything about art, either!  Why did they want to go?

 The B Plot: Claire, Gloria, and Lily.  Cam and Mitchell explain that they're out buying a flower-girl dress for their  daughter to wear at their wedding.  Why both of them?  So the dress isn't too mundane (Claire) or "cucaracha" (Gloria).  I remember cringing at the constant stereotyping. Gloria is from Colombia, depicted as a horrible country where everyone lives in absurd poverty and gets shot all the time. 

Gloria insists that Lily keep trying on dresses, because she only has sons and never gets to go dress shopping.  Claire doesn't even like dresses; she didn't wear one at her own wedding.  Gloria is shocked.  "You must try one on! Then you can go back to your boy clothes."  So Claire tries on some wedding dresses, and is transfixed by the wonderfulness of gender-normative behavior.


The C Plot:
 Jay, his teenage grandson Luke (lNolan Gould, left and top photo).   The boy mentions that he's planning to buy a pottery wheel for his ceramics class. Jay is upset, assuming that Luke is gay, but he explains that he is taking art to meet girls. Jay points out a problem with this plan: the girls in the class will think you're gay, and not want to have sex with you. He suggests learning woodworking instead.  Wood shop was a required class for boys in my junior high.  I mostly tried to avoid being noticed, and got a D-.

In the woodshop, apprised that a tool is a table vise, Luke begins singing "Edelweiss," and Jay lays down the law: "I've already been through this with Mitchell.  This is what we're trying to prevent."  Woodworking won't keep your grandson from being gay, Dude. But he already said that he likes girls.

Jay says that he wants to teach Luke all the things he need to know to be a man, because his son Mitchell and Gloria's son Manny were both fruity, and not interested.  He demonstrates his machismo by benching 205 pounds! (wow, I can only do 180).  Impressed, Luke says: "Tell me everything you know about women."  This is super-problematic.


The D Plot: 
Phil (Ty Burrell), his daughter Haley, the nanny Andy (Adam Devine).  He is trying to think of a romantic anniversary gift for his girlfriend, who is deployed out in the Coast Guard. Maybe banana bread?  Phil suggests making her a video instead, depicting all of the things he's willing to do for her.

First up:  pretending to be swimming underwater with sharks (no beefcake).  Whoops, Haley walks into the frame, ruining it!   She suggests a visit instead, but the girlfriend is doesn't get shore leave very often. 

Andy's face is shining, so Phil goes off to fetch some makeup.  He is careful to specify that it's his WIFE's makeup, so Andy won't think that he's gay.  What's with the homophobia, Phil? 

Haley's date is late.  Andy gets all conciliatory: "that's rude.  A real man would be more considerate of the most incredibly beautiful, wonderful woman on the face of the Earth."  You have a girlfriend, remember?

Next segment: Andy skiing in the snow.  Haley is not impressed.


Third segmentt: Andy with a rose, preparing to give a romantic speech, but he doesn't know where to look.  Phil: "Just look deeply into my eyes, and sweep me off my feet."  Running gag: Phil says innocent things that make it sound like he's gay.  Viewers are supposed to chortle over it: how humiliating to have people think you're one of those...  

Nope, Andy thinks it's too weird to pretend to be in love with a man.  Maybe Haley could help out?  And you know what happens next, right?

When the video is finished, Andy asks "How can I thank you?" Phil: "The next time you're with your girlfriend, think of me."  See what I mean?

About the video: "I'm giving this to the mailman, who will give it to the Coast Guard, and by this time tomorrow, someone will be giving it to my girlfriend."  Geez, this show is dirty. but at least that one isn't "accusing" Phil of being gay.




E Plot: 
Haley, her boyfriend (Adam Hagenbuch, left).  He is six hours late for their date, and he just honks instead of coming to the door.  After being treated like a queen all afternoon, Haley finds this offensive and dumps him.  

Beefcake: None.

Gay Characters: Cam and Mitchell.

Characters implied to be gay as jokes: Phil, Luke, and Manny.

Homophobes: Jay. Maybe Andy: he has a problem looking at a man as if he's in love.  It's called acting, dude.  But Jay is much worse.  


My Grade:
 D

There is a lot of Luke here.  See: The Beefcake Explosion of Nolan Gould; My 10 Favorite Pictures of Nolan Gould; and Even More Nolan Gould

The NSFW version of this review features nude photos of Reid Ewig, who played Haley's on-off boyfriend Dylan 


"Kipo and the Age of Wonderbeasts": Specifically, Literally, Audibly, and Canonically Gay

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Kipo (Karen Fukuhara), a cheerful, adventurous 13-year old girl living in a post-Apocalyptic "burrow," is swept onto the surface by an  underground earthquake.  It's forbidden for burrow dwellers to go "above," and she is horrified by the tales she has heard.  But she has to travel through a ruined city to get home.

A lot of the script is Korean, so I'm thinking Seoul.

The surface is occupied by many mutated animals, some sentient, some not.

Mod Frogs, concerned with fashion and world domination, appear to be the dominant species.  But there are also tribes of Timbercats, Snäkes with umlauts, Newton Wolves, and Fitness Raccoons.  It reminds me of Kamandi, the last boy in the world, in 1970s DC comics.

The big bad, a mutated mandrill named Scarlemagne (Dan Stevens), is particularly interested in Kipo, and keeps sending his agents to capture her.



 Fortunately, Kipo's father Lio (Sterling K. Brown, who played a gay character on The Marvelous Mrs. Maisel) has been to the surface before -- for reasons of his own --  and left clues about how to get back down below.



Kipo hooks up with:
1. Wolf (Sydney Mikayla), a warrior-girl who grew up on the surface

2. Benson (Coy Stewart, seen here playing a gay teen opposite Nolan Gould in a music video).  He's a fun-loving, carefree 13-year old who has spent several years on the surface.

3. Dave (Deon Cole), a sentient bug about the size of a human baby, who turns into a muscular superhero, but never when it would be useful.



A lot of beefcake and gay connections in the voice cast.  On the show, it seems obvious that  Benson and Kipa are going to fall in lo-ooo-oove.  But I skipped to the last episode to make sure:

They get back to the burrow.   It is ruled by Hoag, an over-fastidious, micro-managing type.   And...and...

Benson has a meet-cute with a boy.  A boy with pink hair and twin earrings yet.  "I think I'm falling in love with you" plays in the background.

Um...um...Benson is gay.

The episode ends with the four friends starting out on a new adventure, so Benson won't have time to do much dating, but...

It's not just subtext.

More research reveals that in one episode, when a monster makes them live their "biggest dreams" so it can live on their brain energy, Benson dreams of a rad party with dozens of cute boys.

And his plot arc involves looking for a boyfriend.

And he specifically, literally, audibly, and canonically says:  "I'm gay."

Tom Cruise: Homophobia, gay subtexts, beefcake, and nudity

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I know, I know, he's a Hollywood homophobe who sues at the slightest hint that he might be one of those horrible, disgusting LGBTQ persons.  But back in the Golden Age of the 1980s, everybody in West Hollywood thought that Tom Cruise was gay (I repeat, thought.  They were mistaken, Mr. Cruise).  His name -- a reference to gay cruising?  His demeanor.  His gay subtexts.  

His beefcake: he displayed his chest and abs in nearly every movie, and sometimes gave us more. 


As early as Risky Business (1983), we got shots of Tom dancing in his underwear and masturbating under the covers in his bed.  Who cared that it had an absurd heterosexist plotline?  What movie in the 1980s didn't?  Or that the scene with the trans hooker was dripping with homophobia and racism.  Every movie in the 1980s was dripping with homophobia and racism.




Top Gun
(1986) gave us muscular semi-nude soldiers and a blatant gay subtext in the relationship between Tom and Val Kilmer.








Cocktail
(1988) depicts a swishy, campy, super gay-coded stunt-bartender serving up the decadent 1970s lifestyle for audiences terrified of homophobes, street crime, and AIDS...and getting a boyfriend.




Interview with the Vampire
(1994) featured an obviously-gay vampire couple played by Tom and Brad Pitt. They even have an adopted vampire-daughter.

During the 1990s, reports of Tom's homophobia began to appear, and the gay subtexts began to disappear.  Apparently he became gay-savvy enough to notice them and have them removed from the scripts.

But we still have the beefcake images, and the occasional flashes of nudity.


The nude photos of Tom Cruise are on the NSFW site, Righteous Gemstones Beefcake and Boyfriends

10 Things You Should Know about Noah Schnapp

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1. He plays Will Byers: a shy, artistic boy who gets zapped into a scary alternative universe in Season 1 of Stranger Things.   In later seasons, he becomes upset when his friend Mike gets a girlfriend and doesn't want to hang out as much.  Mike tries to explain that every boy becomes interested in girls; it's part of growing up.  But Will isn't having it. Fans began speculating that Will was gay.  The showrunners confirmed that he is, but he has not yet come out on the show.



2. He has been criticized for his long, slow coming out process, but he counters that the show is set in the 1980s, where teachers and parents generally pretended that same-sex desire and practice did not exist.  So Will is unlikely to realize that being gay is even possible, or else he'll think that he is the only gay person on Earth.


3. He has 14 credits on the IMDB, including Hubie Halloween and The Tutor.

4.  In January 2023, Noah came out to his family and friends; they all knew.  He then came out to his fans on TikTok, saying "I'm more similar to Will than I thought."  His first Gay Pride was in New York in 2023.







5. His favorite social media platform is TikTok, He also has  Facebook page, but it seems to be just ads for TBH hazelnut spread.  

6.. One of Noah's TikTok posts accidentally showed his penis, but he deleted it right away.  He was over 18 at the time, so technically it was legal, just embarrassisng.







7. Noah's instagram page contains many pics of him hugging girls, but none of him hugging boys.  You'd never know he was gay.

8. He also got in trouble for posting a"Zionism is Sexy" sticker during the Israel-Gaza conflict.  People thought that he was trivializing the war.

9. He has been to Syracuse, New York.  I don't know what he was doing there.



10. Noah is a student at the University of Pennsylvania, majoring in entrepreneurship and innovation.  That explains the hazelnut paste ads.



"The Boys in the Band": Any Day that Ends with a Naked Man is a Good Day

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The movie The Boys in the Band, based on Mart Crowley's 1968 play, appeared in 1970.  I watched it on VHS sometime in the 1990s, and even with some leeway for being pre-Stonewall, I hated it.  A party with a bunch of screaming queens oozing with self-hatred, sniping viciously at teach other, obsessed with straight guys who don't know that they exist, trying to seduce a strraight guy who stumbled in by accident.  Yuck!

I just saw the 2020 Netflix version, and liked it a lot more.  The tone was more upbeat and positive, thanks to some subtle changes to the script (the line "if only we didn't hate ourselves quite so much" is gone) and additions to the mise en scene. For instance, we see the characters interacting after the party, eating in a restaurant, attending Mass, cuddling in a cab, having sex, building a life in spite of their homophobic society.

Bob still thinks that Boys is "gay misery porn," but remember, it's 1968.  "Homosexuality" is a psychosis, so you are in psychotherapy searching for a "cure."  Sodomy is an imprisonable offense, gay bars are illegal and underground, and there are no gay organizations except for the highly-closeted Mattachine Society.  The world hates you.  But you are still determined to live, so you throw a birthday party.


1. Michael (Jim Parsons), who is in debt up to his eyeballs and suffering from Catholic guilt, hosts the party.  He gets a shocker when a straight college friend, Alan (Brian Hutcherson), calls out of nowhere and wants to stop in "for a drink."  You never tell straights (the term "coming out" means acknowledging that you are gay), so he asks the other guys to act straight.  

When Alan figures it out anyway yet doesn't run away screaming, Michael introduces a party game to compel him into coming out: you have to call the one person you have always loved and tell them.  He assumes that Alan will call his other college buddy, now out, whom he was obviously in love with.  But the plan backfires when Alan calls his wife.

So Alan was straight all along?  Or is he still in the closet?  Michael is devastated.  But after the party, he goes to midnight Mass and feels better.

2. Donald (Matt Bomer, right), Michael's best friend and former lover, is visiting for the weekend.  He doesn't play the game.  But he does take a shower, giving us a nice beefcake scene that did not appear in the original movie.


3.-4. Hank (Tuc Watkins, left) is in the process of divorcing his wife so he can be with Larry (Andrew Rannells).  Larry recoils at the thought of heterosexual-style monogamy, but still calls Hank during the game.  They decide to try an open relationship.






5. Bernard (Michael Benjamin Washington), who is black and has to deal with racist jokes (even from his friends), has always loved the first guy he had sex with, the son of the rich family his mother used to work for.  In a flashback, we see them frolicking naked in a pool, butts and cocks visible. He calls, gives the message to the mother, and is devastated.

6. Benard's best friend is the campy queen Emory (Robin de Jesus), who was outed and ridiculed when everyone at his high school discovered his crush on an older boy.  Later he apologizes to Bernard for his racist quips, and they are shown having dinner together.

7.-8. Harold, (Zachary Quinto) the guest of honor, is a "32 year old ugly pock-marked fag Jew" who takes lots of weird drugs and  constantly picks at imaginary facial blemishes.  They seem to all love him, but he strikes me as threatening, observing and criticizing the events like a petty tyrant.  I kept wondering what he had on them.

The Cowboy (Charlie Carver, top photo) is a dimwitted hustler hired as one of Harold's birthday presents.  They get more romantic interactions than in the original movie, kissing, cuddling, and, in the last scene, having sex (Harold has a surprisingly nice butt).  

The "call someone you've always loved" game still seems too cruel to foist upon your friends (and you can only play it once), but at least the self-loathing is gone.

Bob: "It was awful!  Gay life as endless misery!"

Me: "But it wasn't all misery.  They had friends.  They had lovers.  Any day that ends with a naked man in your bed is a good day, in 1968 or  2020."

See also: Andrew Rannell and Adam Devine: bromance, bulge and butt pictures

Saturday Morning with Joel and the Bots

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During the 1990s, when I was living in West Hollywood, we watched a show called Mystery Science Theater 3000 every Saturday morning, before gong off to buy groceries or go to the gym or do whatever errands needed doing.

I remember a thousand Saturday mornings, eternal, brightly-colored, golden like Lewis Carroll's "golden afternoons," except in my memory  it wasn't summertime.  It was always those magical few weeks between Thanksgiving and Christmas.



MST3K was about a grown-up kid lost far from home: the smiling, laconic Joel (Joel Hodgson) has been zapped into space, onto the phallic-looking "Satellite of Love," where two mad scientists torture him by forcing him to watch horribly inept "cheesy movies."
 
After five seasons (1989-1994), Joel escaped to Earth, and the mad scientists abducted the hunkier Mike  (Mike Nelson above), who stayed on for ten seasons, until the series ended in 2004.









Joel, Mike and the "bots" (their robot chums, Tom Servo and Crow) stayed sane through the worst of bad-movie torture by making fun of the artifice and ineptness -- jokes, pop culture references, and sarcastic comments came fast and furious.  There were also interstitial sketches and comedy bits, often with guest stars from the movies being riffed.

The riffs and interstitials often made homoerotic subtexts visible, and many of the movies featured extensive beefcake, but that's not enough to make my memory of the basic-cable farce "golden."



Maybe MST3K was a metaphor.  Most gay people are trapped far from home.  The overlords are constantly torturing them with heterosexist statements and scenes, proclaiming over and over again that no gay people exist, hoping that eventually they will cease to exist.  The only way to stay sane is to laugh, to riff on the ineptness and artifice of the heterosexist myth.

It is no wonder that the slow, ponderous final theme, played over the ending credits, always filled me with a profound sadness.

Andrew Rannells and Adam Devine: Can a straight guy and a gay guy find true love? With bonus bulge, butt, and dick pics

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Looking for Adam Devine content, I came across a Reddit post stating that he and Andrew Rannells were bromantic partners.  Plus a 2015 interview in PopSuger proclaiming that they are "Your New Favorite Comedy Duo," 

First question: wasn't Adam already involved with Zac Efron?  How many men can a straight guy be in love with, and still identify as straight?


Second question:
 Andrew is gay, and has a boyfriend.  Can a straight guy and a gay guy have a bromance?  Regular platonic friendship, sure, but wouldn't an intense, passionate, physical relationship get weird?  Surely the "we might be having gay sex, har har" jokes would be ruined if one of the guys was really having gay sex. 

Third question: In what way were they a comedy duo?  The PopSugar interview was about them starring together in The Intern (2015), featuring Robert DeNiro as an oldster who becomes a "senior intern" at an online women's clothing company.  Andrew plays Cameron, the Vice President, who pitches the senior intern idea, and Adam plays Josh, an employee whom DeNiro helps with his (heterosexual) love life.  They don't interact.


They also appeared together in Why Him (2015), known as The Boyfriend in French.  Andrew plays Blaine Pederman, owner of an online greeting company (like greeting cards without the stamps), one of the guys hanging out with app billionaire and gay sex aficionado Tyson Modell (Adam); but they barely interact.  Tyson spends more time falling in love with Scotty Fleming, son of the focus character.

Extensive research has yielded no evidence that Adam and Andrew had an off-screen frienddship.  I think it was just an advertising stunt that some Reddit-ers took seriously.


Oh, well, at least it gives me an excuse to post some nude pics of the guys on Righteous Gemstones Beefcake and Boyfriends.

See also: My review of Why Him?

"This is the End": Celebrities are Left Behind, face demons, cannibals, Satan, and gay sex

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I saw This is the End (2014) when it first appeared, and didn't really like it because (spoiler alert) it's about the Rapture.  When I was a kid, I was terrified of the Evangelical end-of-the-world event (not actually mentioned in the Bible) when everyone who is saved gets zapped up to heaven, and the unsaved are stuck on Earth. The preacher told horrifying stories of unsaved men waking up in the middle of the night to find their family gone, and gradually realizing that they are lost -- their sins can no longer be forgiven, so no matter how much they beg and cry, it's the Lake of Fire for all eternity.

But it stars some of favorite actors, including Jay Baruchel (whom I have a crush on) and Seth Rogan (but not Zac Efron, sorry).  So I'll give it another shot.

Link to NSFW version



Scene 1: LAX.
  Seth Rogan picks up his buddy Jay Baruchel ((bare butt, left), for the "best weekend ever" at his place, with his favorite things Starburst, marijuana, and airheads. "I know you don't like LA, so I thought I'd lube it up a bit to ease the transition.""Much needed foreplay."  Discussing non-sexual things in sexual terms, har har.  Then: "I'm a well-known homosexual advocate."  I don't know what he means.  

Seth wants to go to James Franco's housewarming party, but Jay wants it to be just the two of them all weekend.  Awww... But they go.

Scene 2: At the house, Seth points out that Channing Tatum  lives nearby: "This is the sexiest street in America."  Jay chastises him for talking about Channing Tatum too much: "I think he's attractive."  Ok, these guys are pretend-gay.

Franco: "This house is like a piece of me. You two stepped inside me." Seth: "You let us come inside you."  I'd better stop writing down all the gay-sex jokes, or I'll run out of space by Scene 3.


We meet various celebrities from the same general crew, having boring conversations. Jonah Hill appears to have an unrequited crush on Jay. Michael Cera (left) tries to kiss a guy. Later, Jay stumbles on him in the bathroom, getting blown and rimmed at the same time (by ladies). Craig sings to "all the ladies" to "take your panties off." 

Scene 3: Jay and Seth head to a convenience store for cigarettes.  Seth: "Is Michael Cera's butthole as cute as I pictured it?"  He's into guys' butts, har har.  Suddenly there's an explosion, and some of the customers rise through the ceiling in shafts of blue light!  

Outside, people are rising in shafts of blue light everywhere, driver-less cars are crashing, power lines are down...and back at Franco's house, everything is normal (only the good people went to heaven, so no celebrities, of course).  At the house, no one believes them.

Jonah says that Jay is "a sweetheart," implying that he's attracted to him, and everyone looks at him in disgust.  Wait -- you were all expressing homoerotic interest just a few seconds ago.

Scene 4: There's an earthquake, so everyone rushes outside -- and the whole city is in flames!   Then a giant sinkhole open, and almost everyone falls in.  No one except Jay and Craig try to save anyone.  They survive, along with Franco, Jonah, and Seth. Before the tv dies, they get a few news reports -- martial law declared, Air Force One is down (The preacher told us that there had to be an unsaved pilot on every flight, in case of Rapture).

They start boarding up the house, inventorying supplies, and ineptly repairing the damage. Gay joke: Craig tries to move a giant ceramic dick: "That dick's coming now.  I got that big dick."

Scene 5: Bedtime.  Seth is scared, so he sleeps with Jay.  He suggests that this apocalyptic nightmare, with millions of people dead and the city destroyed, happened for a reason, to bring them closer together.  Whoa, that's entitled!



Jonah and Craig want to sleep with them, too.  At least there is no gay panic: they actually feel safer spooning.  They just can't decide on dick-to-dick or dick-to-butt.

Scene 6: Morning.  Danny McBride awakens in the bath tub.  He slept through the night and has no idea what happened, so he eats all of their food and uses their water to wash his feet. 

The guys burst in and tell him about the apocalypse, but he thinks they just dropped acid. Franco probably sucked cock, with Jonah watching and beating off.  These are supposed to be disgusting acts.  Cuddling is ok, but sucking cock, no.



I'm out of space, so a brief synopsis of the rest of the movie:  Everyone goes full post-apocalypse.  There are demons wandering around, killing people. Jonah Hill is possessed.  

Danny McBride starts a cannabal society, with Channing Tatum as his sex slave, and eats some of them.  You can still get zapped up to heaven if you perform a selfless act; Craig goes up, but Franco gets rejected.

Satan appears, a giant monster with a dangling penis. Realizing that they are going to die, Jay and Seth confess their love and hug. They perform selfless acts to save each other (while "I Will Always Love You" plays), so they both get zapped up to heaven.  It's a giant street party, the Backstreet Boys performing (I always thought it would be a vast library, with people discussing metaphysics). The end.

Beefcake: Some random chests and bulges.  

Heterosexism: Heterosexual desire is expressed only in the pre-Apocalypse party.  Afterwards this is a movie about dudes.

Gay Characters: No idea.  Everyone expresses same-sex desire and criticizes each other for engaging in same-sex acts. So being attracted to men is fine, but having sex with men is disgusting?

Gay Subtext: Jay and Seth are bromantic partners, but I didn't see any physical or romantic interest, so they don't really have a gay subtext.

My Grade: You would expect a movie with demons, cannibals, and a giant Satan to be exciting, but after you get over the triggering from the religious abuse of your childhood, it's actually a bit dull.  I did like Danny McBride and his sex slave.  C+

There are a lot of butts and bulges, plus Satan's penis, on the NSFW version of this review.


8 Things I Like and 8 Things Hate about Macaulay Culkin

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First, things I hate about Mac:

1.My Girl.  Actually this should be counted twice, since it has two things that get me running from the theater: "Heterosexual romance is the meaning of life" and movies about dying children. 

2. The Good Son. Homicidal preteen.  It's not nurture, it's nature.  Plus incest and preteen hetero-romance.

3. His cringy relationship with Michael Jackson. Although he said later that there was no inappropriate behavior, it's still cringy.

4. Party Monster: Guy leading a decadent gay "lifestyle" gets saved by the Love of a Woman, but backslides and turns gay again.  

5. American Horror Story: gay hustler spends all of his time buddying up to women and having sex with women.


6. He's got extra-femme mannerisms, so everyone thinks that he's gay, but he's actually straight.

7. He almost never shows off his physique on screen, or even on his Instagram page.

8. Some of his comments about girlfriend Brenda Song and their child have been criticized as racist: "You know how I can tell she's Asian?  The shape of her eyes!" 

Things that I like:

1. Home Alone, of course.

2. Saved, about a "gay conversion" camp, although it's actually a heterosexual romance, with the gay characters just there to justify the "gay conversion" angle.


3. His role in The Righteous Gemstones as Harmon, a special needs adult who was abandoned by his father in a shopping mall --at Christmas.  

4. Although Mac appeared in only two scenes and never interacted with Tony Cavalero's Keefe, they became friends. 





5. I met him once.  He seemed nice.

6. He looks good in a winter parka








7. He does a Bunny Ears podcast, parodying celebrity gossip podcasts.

8. His middle name is "Macaulay Culkin"

See also: Gay Characters with Girlfriends



The Hollow: Adam and Kai Hugging

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Three teenagers awaken in a locked room with no windows or doors.  They don't remember who they are, but slips of paper in their pockets give them names.  As they try to escape, distinct personalities emerge:














Adam (voiced by Adrian Petriw, left) is the strong (as in super-strong), logical, level-headed leader.

Kai (Connor Parnall) is the skittish, easily frightened goofball, but a mechanics whiz (he can rewire a spaceship).

Mira (Ashleigh Ball) has mystical powers, like being able to talk to animals.

They escape, only to find themselves in a secret scientific facility, chased by devil-dogs.

Then in a world occupied by minotaurs from Greek mythology, who intend to eat them.

They escape into a lair of witches who want to inhale their souls, meet the Four Horsemen of the Apocalypse, rewire a spaceship, crash it into the ocean, meet the Cyclops of Greek mythology, and...

More after the break



Well, it goes on like that, from parallel world to parallel world, fleeing from danger, overcoming obstacles, solving mysteries, searching for clues to their situation, trying to find a way back to the home they don't remember, with every episode ending with a cliffhanger that practically forces you to keep watching.

The only one who seems to understand what's going on is the flamboyant, petulant Weird Man, who pops in, says cryptic things like "You chose to be here!"  and "Do you think this is a game?", and zaps them to the next world.

I haven't seen the last episode yet, but yes, I do sort of think that they're in the equivalent of a giant video game.

The animation is beautiful, with detailed backgrounds and a large color palette, reminiscent of the golden age of the 1970s.  The stories are intricate, some humorous, some exciting, some both, and the plotline is propelled more effectively than the episodic "trying to get home" series of the 1960s and 1970s (Gilligan's Island, H.R. Pufnstuf, Land of the Lost)

You're probably wondering about the beefcake and bonding.

Beefcake: this is animation, so there's not a lot of muscle, but the male characters are pleasant to look at.  I couldn't even find any beefcake photos of the cast (mostly Vancouver-based actors with few screen credits).










Bonding: there's a lot of Adam-Kai hugging, soft looks, and "if it weren't for you" rescues.  But the same thing happens between Mira and both Adam and Kai.  No one expresses any overt  romantic interests, so you can read all of them as gay.  Or none of them, if you prefer.

See: The Hollow: Adam is Gay




Stephen Grush: From Pericles to Ryan Phillippe, with gay subtexts and nude photos of practically everybody

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Stephen Louis Grush has over 30 credits on the IMDB, often in projects that emphasize gay subtexts, or texts.









In Catch Hell (2014), two toughs (Stephen Louis Grush, Ian Barford) kidnap a Hollywood actor (Ryan Philippe) with the intent of torturing and killing him.  They do a lot of torturing, but Junior (Stephen) also falls in love with him.

In Gracepoint (2014), Stephen plays a plumber's apprentice who may be gay, accused of murdering a small boy.


In a 3-episode story arc on Rectify (2016), focus character Danny (Adan Young) is out of prison and living in a halfway house.  His roommate Manny (Stephen) walks around naked and masturbates in front of him; this is particularly upsetting because he was repeatedly raped in prison.  But Manny won't stop.  Finally Danny tells the house leader about it, expecting the guy to be kicked out.  Instead, they give him a new roommate.

 Stephen graduated from Roosevelt University in 2006 with a B.F.A. in Theater Performance.  Primarily a theatrical perfomer, he has appeared on the Chicago stage in The Seagull, Pericles, The Tempest, Lifeguard, Sex with Strangers, The Last of the Boys, and some plays without homoerotic content.  Plus he is the artistic director of XIII Pocket, which produces and performs original plays by Chicago-area playwrights.


There are nude photos of Stephen, Ryan Phillippe, and Adam Young in the NSFW version of this post.
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