My Fair Lady (1956) is one of my all-time favorite musicals, but there is no beefcake, so I'll illustrate it with some nude shots of actors who have played Henry Higgins in their other roles..
It's about an elderly gay couple in London at the turn of the twentieth century, Henry Higgins and Colonel Pickering,
Henry (Jack Gwillam), an instructor of elocution, claims that language is the key to social status; he bets Pickering that he can take anyone of the lower class, give them elocution lessons, and pass them off as nobility.
Ok, why not try Cockney flower girl Eliza Doolittle?
Henry (Reg Livermore) doesn't have much use for women, even as friends. He is definitely a man's man.
Henry: Would you be slighted if I didn't speak for hours?
Pickering: Of course not!
Henry: Would you be livid if I had a drink or two?
Pickering: Nonsense.
Henry: Would you be wounded if I never sent you flowers?
Pickering: Never.
Henry: Well, why can't a woman be like you?
But he agrees. Eliza moves into their house, and the lessons begin.
Everyone suspects that Eliza and Henry (Ian Richardson) have an amorous relationship. Henry's mother, who has suspected him of being gay for years, is delighted.
Eliza soon becomes indispensable in the household, keeping track of Higgins' appointments and performing other secretarial tasks. She gets a little crush on Higgins. Though he doesn't share her romantic inclinations, he begins to think of her as a friend and confidant. He expects that, when the contest is over, she will stay on.
I've grown accustomed to her face
She almost makes the day begin
I've grown accustomed to the tune
She whistles night and noon
Meanwhile Eliza is courted by the foppish, gay-vague Freddy Eysnford-Hill.
Eliza wows London society at the contest, and is proclaimed "of noble birth." Everyone congratulates Henry (Rex Harrison), not Eliza, who believes that she was being used an experiment, and leaves in a huff. But she is convinced to return. Henry, never one for apologies, or hugs, says "Eliza, where the devil are my slippers?" Curtain down. The end.
That's right -- no fade out kiss. There are hints that the two might become lovers, but they remain only hints, a heterosexual subtext in what is a rarity in musical theater, a plot about male-female friendship.
The 1964 movie adds a little more heterosexual subtext, but the original play, Pygmalion, by George Bernard Shaw, has substantially less.
Of course, heterosexual critics and audiences try their best to force the text into the trajectory of a heterosexual romance. Sometimes they don't even notice that Henry and Pickering are a gay couple.
See also: Sherlock Holmes, Gay Icon and The Gay Connection in The Sound of Music.
It's about an elderly gay couple in London at the turn of the twentieth century, Henry Higgins and Colonel Pickering,
Henry (Jack Gwillam), an instructor of elocution, claims that language is the key to social status; he bets Pickering that he can take anyone of the lower class, give them elocution lessons, and pass them off as nobility.
Ok, why not try Cockney flower girl Eliza Doolittle?
Henry (Reg Livermore) doesn't have much use for women, even as friends. He is definitely a man's man.
Henry: Would you be slighted if I didn't speak for hours?
Pickering: Of course not!
Henry: Would you be livid if I had a drink or two?
Pickering: Nonsense.
Henry: Would you be wounded if I never sent you flowers?
Pickering: Never.
Henry: Well, why can't a woman be like you?
But he agrees. Eliza moves into their house, and the lessons begin.
Everyone suspects that Eliza and Henry (Ian Richardson) have an amorous relationship. Henry's mother, who has suspected him of being gay for years, is delighted.
Eliza soon becomes indispensable in the household, keeping track of Higgins' appointments and performing other secretarial tasks. She gets a little crush on Higgins. Though he doesn't share her romantic inclinations, he begins to think of her as a friend and confidant. He expects that, when the contest is over, she will stay on.
I've grown accustomed to her face
She almost makes the day begin
I've grown accustomed to the tune
She whistles night and noon
Meanwhile Eliza is courted by the foppish, gay-vague Freddy Eysnford-Hill.
Eliza wows London society at the contest, and is proclaimed "of noble birth." Everyone congratulates Henry (Rex Harrison), not Eliza, who believes that she was being used an experiment, and leaves in a huff. But she is convinced to return. Henry, never one for apologies, or hugs, says "Eliza, where the devil are my slippers?" Curtain down. The end.
That's right -- no fade out kiss. There are hints that the two might become lovers, but they remain only hints, a heterosexual subtext in what is a rarity in musical theater, a plot about male-female friendship.
The 1964 movie adds a little more heterosexual subtext, but the original play, Pygmalion, by George Bernard Shaw, has substantially less.
Of course, heterosexual critics and audiences try their best to force the text into the trajectory of a heterosexual romance. Sometimes they don't even notice that Henry and Pickering are a gay couple.
See also: Sherlock Holmes, Gay Icon and The Gay Connection in The Sound of Music.