When I was a kid in the 1960s, I never saw anyone who was Black, except at the Longview Park Pool in the summertime, and when I visited my Cousin George in South Carolina. Over 20% of the population of Rock Island was Black, but they were segregated into the West End. My neighborhood, on the Hill, was exclusively white (except for one Asian kid in my junior high).
In school, we learned about slavery and the Civil War, and after that apparently all African-Americans vanished. Everyone the teachers talked about, or showed us in books, was white.
There were no African-Americans on tv, or in movies or comic books. So, sadly, my first exposure to African-American culture came through the Little Brown Koko books.
There were two of them in the house, very old -- I think they originally belonged to my mother when she was a girl -- written by Blanche Seale Hunt, illustrated by Dorothy Wagstaff. The stories were originally published in the magazine Household in the 1930s, and then appeared in book form in the 1940s.
Little Brown Koko is a young boy who is drawn as a chubby blackface minstrel and speaks in a weird slur. He lives with his single mom in an exclusively-black rural community, where everyone is poor but has money to prepare and consume enormous amounts of food.
Adjectives abound. Koko doesn't just have a mother, he has a "nice, good, big, ole, fat, black Mammy." He doesn't just eat cake, he eats "nice, good, ole, sweet, moist, dark, chocolate cake with rich, thick, good, ole, creamy, white frosting."
The dialogue and illustrations are bitingly racist.
What characteristics of African-American culture did I learn about, at the age of seven, from Little Brown Koko?
1.Sensuality. A world of vibrant senses, touch, taste, and smell (paragraph after paragraph just to describe food).
2. A shared humanity. Koko's adventures were instantly recognizable: he gets lost; he babysits; he wins a prize; he has to make a speech.
3. Same-sex attractiveness. In spite of the minstrel-show illustrations, I imagined a world of sleek, glowing bodies, so beautiful that they required a dozen adjectives.
4. Freedom from the nuclear family mandate. Every household in my world was occupied by pairs of men and women, but none of the adults in Little Brown Koko's world had marital partners.
5. Gay romance. Blanche Seale Hunt dedicates the book to a woman: "When I spun dreams, you did not laugh. You always were a kind and caring friend" (I'm paraphrasing). I imagined that the two women lived together, supporting each other, loving each other. Which explains why she didn't depict any heterosexual romances.
Not bad for a series of racist children's books from the 1940s.
Ok, you've seen some pictures of African-American hunks. Are you ready for some of Little Brown Koko? Don't say I didn't warn you:
In school, we learned about slavery and the Civil War, and after that apparently all African-Americans vanished. Everyone the teachers talked about, or showed us in books, was white.
There were no African-Americans on tv, or in movies or comic books. So, sadly, my first exposure to African-American culture came through the Little Brown Koko books.
There were two of them in the house, very old -- I think they originally belonged to my mother when she was a girl -- written by Blanche Seale Hunt, illustrated by Dorothy Wagstaff. The stories were originally published in the magazine Household in the 1930s, and then appeared in book form in the 1940s.
Little Brown Koko is a young boy who is drawn as a chubby blackface minstrel and speaks in a weird slur. He lives with his single mom in an exclusively-black rural community, where everyone is poor but has money to prepare and consume enormous amounts of food.
Adjectives abound. Koko doesn't just have a mother, he has a "nice, good, big, ole, fat, black Mammy." He doesn't just eat cake, he eats "nice, good, ole, sweet, moist, dark, chocolate cake with rich, thick, good, ole, creamy, white frosting."
The dialogue and illustrations are bitingly racist.
What characteristics of African-American culture did I learn about, at the age of seven, from Little Brown Koko?
1.Sensuality. A world of vibrant senses, touch, taste, and smell (paragraph after paragraph just to describe food).
2. A shared humanity. Koko's adventures were instantly recognizable: he gets lost; he babysits; he wins a prize; he has to make a speech.
3. Same-sex attractiveness. In spite of the minstrel-show illustrations, I imagined a world of sleek, glowing bodies, so beautiful that they required a dozen adjectives.
4. Freedom from the nuclear family mandate. Every household in my world was occupied by pairs of men and women, but none of the adults in Little Brown Koko's world had marital partners.
5. Gay romance. Blanche Seale Hunt dedicates the book to a woman: "When I spun dreams, you did not laugh. You always were a kind and caring friend" (I'm paraphrasing). I imagined that the two women lived together, supporting each other, loving each other. Which explains why she didn't depict any heterosexual romances.
Not bad for a series of racist children's books from the 1940s.
Ok, you've seen some pictures of African-American hunks. Are you ready for some of Little Brown Koko? Don't say I didn't warn you: